The World's Largest Modern & Contemporary Prints & Editions Platform

Peter
Doig

Peter Doig, through his enigmatic landscapes, has become a pivotal figure in Contemporary Art. If you’re looking for original Peter Doig prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

Peter Doig art for sale

Discover Peter Doig prints for sale, exclusively available through our private network of collectors. Explore signed and unsigned screenprints, lithographs, digital prints, and rare editioned proof prints by era-defining blue chip artists.

x

Sell Your Art
with Us

Join Our Network of Collectors. Buy, Sell and Track Demand

Submission takes less than 2 minutes & there's zero obligation to sell
The Only Dedicated Print Market IndexTracking 48,500 Auction HistoriesSpecialist Valuations at the Click of a Button Build Your PortfolioMonitor Demand & Supply in Network Sell For Free to our 25,000 Members

Biography

Renowned for his evocative landscapes that blend memory with imagination, Peter Doig is a pivotal figure in contemporary painting. Born in Edinburgh in 1959, Doig's work is celebrated for its enigmatic quality and rich textures, often exploring themes of displacement and the passage of time. His distinctive style has situated him as one of the most original painters emerging in the late 20th century, bridging the gap between abstraction and figuration.

Doig spent his early years in Trinidad and Canada before moving to London in the late 1970s, where he attended the Wimbledon School of Art, followed by Saint Martin's School of Art, and finally the Chelsea College of Arts for his master’s degree. It was during these formative years that his signature approach began to take shape, marked by a painterly exploration of personal history.

Throughout his career, Doig has been known to revisit certain motifs, such as canoes and cabins, which are often set against a backdrop of hauntingly serene landscapes. His work is characterised by an interplay of light and texture, with a palette that ranges from muted tones to vibrant hues. Doig's technique, involving layers of paint applied then scraped away, creates depth and enigma within each canvas.

Doig's oeuvre is not limited to a single period or style; rather, it is defined by continuous evolution. After establishing his reputation in London, he returned to Trinidad in 2002, where the tropical environment began to infiltrate his work, introducing new scenery and altering his use of colour. Returning to Trinidad in the early 2000s, his compositions became more open, with surrealistic figures and symbols front and centre. For example, Night Bathers (2019) depicts a woman drenched in blueish light staring out from the beachy foreground, while in Painting on an Island (Carrera) (2019), we see a seated man close-up in profile, as he paints under a half moon, his hair a thick knot of paint.

This directness allows Doig to express—loud and clear—his deep appreciation of Trinidadian culture. In interviews, he speaks of himself as an outsider there, as a white, UK-born artist in a former British colony. His work, he says, should question his presence there.

Doig's printmaking, particularly evident in his Zermatt D1 series, showcases his ability to translate the painterly qualities of his canvases into the medium of print. The Zermatt D1 prints reflect his fascination with landscapes and the interplay of light and shadow. This series allows him to combine the texture of his distinctive painterly techniques with the precision of giclée printing, contributing to the versatility of his broader body of work​.

His significant contributions to the art world have been recognised with major exhibitions at prestigious institutions including the Musée d'Art Moderne de la Ville de Paris, the Scottish National Gallery, and Tate Britain. Doig's achievements include a nomination for the Turner Prize in 1994 and his painting White Canoe selling at Sotheby's in 2007, which at the time set a record for a living European artist.

Doig's legacy is one of an artist who defies categorisation. His paintings, often described as dreamlike and cinematic, have exerted a profound influence on the Contemporary Art scene. Doig’s impact lies in his ability to transform the act of recollection into a visual language with emotional resonance.

A dark, atmospheric painting depicting a white canoe floating on reflective water. The scene is dominated by rich amber and crimson reflections in the water surface, contrasted against a shadowy forest backdrop. The canoe appears suspended in a dreamlike environment where reality is distorted through the shapes of the watery reflections. Bare tree branches and stacked timber rendered in white can be seen on the far river bank. The painting has a layered, textural quality with drips and streaks of paint creating a complex interplay between the boat, water, and surrounding landscape.

Swamped © Peter Doig 1990

1. £25.4M for Peter Doig's Swamped

Swamped (1990) achieved Doig's current auction record when it sold at Christie's New York in November 2021, significantly surpassing its previous sale of £14.9 million at the same auction house in May 2015. This painting represents one of Doig's earliest and most significant canoe paintings, a motif that would become emblematic within his work. The painting emerged from an unexpected source - a scene from the 1980 horror film Friday the 13th - which Doig transformed into what he described as "a romantic dream" when removed from its original context. "I saw this scene and went out to the barn and made a painting of it that night," Doig explained, noting how this direct cinematic reference unexpectedly became part of his "official" career story despite being an exception in his source material. The canoe motif introduced in Swamped (1990) would return in several of his most celebrated paintings, including White Canoe (1990-91) and Canoe Lake (1997-98), and one of his most sought-after prints, Canoe Island (2000), going on to define a significant portion of his career, combining magical realism with a distinctive photo-album feel.

A diptych showing a reddish-pink structure partially obscured by an intricate network of tree branches. A prominent silver-white tree trunk divides the foreground, while the background reveals glimpses of a Modernist house through the dense pattern of branches. The painting creates a sense of looking through a natural screen at architecture, with swampy, earthy greens in the lower portion contrasting with the web-like silver branches and rusty red building elements behind them.

Rosedale © Peter Doig 1991

2. £19.7M for Peter Doig's Rosedale

Rosedale (1991) sold at Phillips New York in May 2017, and held Doig’s auction record for four years before the 2021 sale of Swamped (1990). This diptych painting relates to the Toronto neighbourhood of Rosedale, where architect Eberhard Zeidler's Modernist home was located - a subject Doig also explored in his related painting The Architect's Home In The Ravine (1991) from the same year. In Rosedale (1991), Doig presents his characteristic approach of partially obscuring structures behind screens of complex foliage, creating tension between the man-made world and nature. Glimpses of architecture can be seen through dense, almost abstract patterns of vegetation, reflecting Doig's fascination with what is hidden or partially revealed. The painting exemplifies his ability to transform a photographic source into an almost abstract pattern through his painterly style.

A painting of a vibrant red house, standing out against a cool winter landscape with muted yellows, blues, white, and greens. The structure glows beyond a foreground of sketchy trees and snow-covered ground. Shadowy silhouetted figures appear to walk down a cobbled road.

Red House © Peter Doig 1995-96

3. £14.0M for Peter Doig's Red House

Another significant sale from 2017, Red House (1995-96) sold at Phillips New York in November 2017. This piece features a vibrant red building standing in stark contrast to the more muted, snow-covered, shadowy surroundings, creating a contrast and tension that is characteristic of Doig's work. Doig’s love of high contrast snow scenes would also emerge in his print-making, particularly in the Zermatt D1 and Blizzard ‘77 series. The dramatic colouration of the ‘red house’ against a winter landscape bridges Doig's earlier, more reserved palette with the increasingly bold use of colour that would become more pronounced after his relocation to Trinidad. The house functions as both a physical structure and a psychological space, reflecting Doig's interest in architecture as a symbol of human presence within the natural world - the shadowy figures around the house are seemingly suspended within its orbit. During this period, Doig was establishing himself as a major figure in contemporary painting, gaining recognition for his ability to create uncanny landscapes that draw on personal experiences and memories. The work was mainly kept in private collections until its 2017 sale, with only a brief display at the Tate Britain in 2008.

A painting of a white cabin reflected perfectly in dark, still water, creating mirror symmetry. The structure is surrounded by inky blue-black forest, with the composition split horizontally between reality and reflection.

Camp Forestia © Peter Doig 1996