5 Year Print Market Review 2023
Brushstroke On Canvas - Signed Print by Roy Lichtenstein 1989 - MyArtBroker

Brushstroke On Canvas
Signed Print

Roy Lichtenstein

£14,500-£22,000 VALUE (EST.)

$28,000-$40,000 VALUE (EST.)

$24,000-$35,000 VALUE (EST.)

¥130,000-¥200,000 VALUE (EST.)

17,000-25,000 VALUE (EST.)

$140,000-$210,000 VALUE (EST.)

¥2,630,000-¥3,980,000 VALUE (EST.)

$18,000-$27,000 VALUE (EST.)

15% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1989
Signed Print Edition of 40
H 96cm x W 92cm

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1 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomBrushstroke On Canvas - Signed Print
October 2021Sotheby's New York - United StatesBrushstroke On Canvas - Signed Print
July 2018Sotheby's London - United KingdomBrushstroke On Canvas - Signed Print
October 2017Sotheby's New York - United StatesBrushstroke On Canvas - Signed Print
April 2016Doyle New York - United StatesBrushstroke On Canvas - Signed Print
May 2013Sotheby's New York - United StatesBrushstroke On Canvas - Signed Print
April 2010Sotheby's New York - United StatesBrushstroke On Canvas - Signed Print

Meaning & Analysis

Brushstroke On Canvas was executed in 1989 and is characterised by Lichtenstein’s distinct pop idiom.The artist caricatures idealised views of mark-making by presenting his paint splatters as depersonalised and reproduced. Akin to Lichtenstein’s Brushstroke Faces, Brushstroke On Canvas captures a whirlwind of shapes. Although the expressive pastel strokes interact with the calculated primary coloured sweeps, they remain distinctly separated. At the same time, however, the forms also work together to constitute a unified image.

The crisp brushstrokes are fixed against a graphic black and white background. This repetitive and static pattern is used to counteract the implied emotivity of painterly expression. Lichtenstein plays with inconsistent dimensions, applying subtle shadows beneath certain sweeps of colour. In doing so, he adds a sense of movement to the surface of his canvas, confusing the viewer’s perception of the polished pictorial plane. Ultimately, Lichtenstein’s refined lithographic technique calls attention to the textural qualities of his work.

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