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Girl In Mirror Signed Ceramic
Roy Lichtenstein: Girl In Mirror - Signed Ceramic

Girl In Mirror

Roy Lichtenstein

Girl In Mirror - Signed Ceramic by Roy Lichtenstein 1964 - MyArtBroker

Girl In Mirror
Signed Ceramic

Roy Lichtenstein

£4,690,000-£6,900,000 VALUE (EST.)

$8,630,000-$12,700,000 VALUE (EST.)

$7,880,000-$11,600,000 VALUE (EST.)

¥39,780,000-¥58,530,000 VALUE (EST.)

€5,340,000-€7,850,000 VALUE (EST.)

$45,440,000-$66,850,000 VALUE (EST.)

¥758,040,000-¥1,115,240,000 VALUE (EST.)

$5,790,000-$8,520,000 VALUE (EST.)

11% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Enamel, 1964
Signed Ceramic Edition of 8
H 107cm x W 107cm

TradingFloor

1 in network
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
March 2019Phillips London - United KingdomGirl In Mirror - Signed Ceramic
November 2014Christie's New York - United StatesGirl In Mirror - Signed Ceramic
June 2012Sotheby's London - United KingdomGirl In Mirror - Signed Ceramic
November 2010Christie's New York - United StatesGirl In Mirror - Signed Ceramic
May 2007Sotheby's New York - United StatesGirl In Mirror - Signed Ceramic

Meaning & Analysis

Girl In Mirror is a transgressive work from Roy Lichtenstein’s early artistic oeuvre. Completed in 1964, the print is part of a collection of critical artworks depicting cartoon heroines. Lichtenstein based his female portraits on stills from advertisements, movies, and romance comics. With his leading ladies, the artist sought to revise skewed representations of female identity.

Read more about Roy Lichtenstein Prints & Editions

Girl In Mirror was manufactured using advanced printing methods and is firmly rooted in the seminal foundations of Pop Art. This glossy work serves as a strategic commentary on the divide between high and low culture.

Girl In Mirror introduces a graceful blonde woman framed within the constraints of a handheld mirror. Similar to the protagonist of Crying Girl created one year prior, the depersonalised and isolated female figure presented here examines society's codification of femininity. The work raises questions about voyeurism in consumer culture by ridiculing fabricated visual tropes.

Additionally, this work is also one of Lichtenstein’s first explorations into the optically and intellectually intriguing subject of mirrors. Using the object as a metaphor for hidden truths, Lichtenstein initiates a discourse about complexities that cannot be perceived through reflections. The artist pursued themes of projection and perception continuously throughout his career, most notably in his Mirrors and Reflections series.

Read more about Roy Lichtenstein Prints & Editions

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