5 Year Print Market Review 2023
Water Lily Pond With Reflections - Signed Print by Roy Lichtenstein 1992 - MyArtBroker

Water Lily Pond With Reflections
Signed Print

Roy Lichtenstein

£960,000-£1,450,000 VALUE (EST.)

$1,820,000-$2,760,000 VALUE (EST.)

$1,580,000-$2,390,000 VALUE (EST.)

¥8,560,000-¥12,920,000 VALUE (EST.)

1,100,000-1,660,000 VALUE (EST.)

$9,190,000-$13,880,000 VALUE (EST.)

¥174,260,000-¥263,210,000 VALUE (EST.)

$1,180,000-$1,770,000 VALUE (EST.)

74% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1992
Signed Print Edition of 23
H 147cm x W 214cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomWater Lily Pond With Reflections - Signed Print
Sotheby's London - United KingdomWater Lily Pond With Reflections - Signed Print
May 2023Sotheby's New York - United StatesWater Lily Pond With Reflections - Signed Print
December 2022Grisebach - GermanyWater Lily Pond With Reflections - Signed Print
September 2017Sotheby's London - United KingdomWater Lily Pond With Reflections - Signed Print
November 2016Sotheby's London - United KingdomWater Lily Pond With Reflections - Signed Print
January 2015Sotheby's London - United KingdomWater Lily Pond With Reflections - Signed Print

Meaning & Analysis

Water Lily Pond with Reflections is an arresting piece from Lichtenstein’s 1992 Water Lilies. It is striking for the way in which it embodies the artist’s long-held fascination with light and reflections. Lichtenstein explored the challenge of representing the phenomena in graphic form in several bodies of work, including Reflections, Mirrors, and Interiors. His approach involved distilling ideas and messages into objects, symbols, and simplified forms. As such, he applied vertical black lines, Ben Day dots and white panels onto his canvases.

Lichtenstein’s interest in reflections also led him to experiment with different materials and processes suggestive of shadows and panes of light. With his Water Lilies, the artist sought to create a reflective surface as his base, using his signature ‘machine-made’ aesthetic. After experimenting with different metals, he chose stainless steel onto which he produced a swirled or dotted shiny picture plane.

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