Plaque (heritage blue)
Plaque (heritage blue)
Signed Ceramic
Stik
£9,000-£13,000
$17,000-$25,000 Value Indicator
$15,000-$22,000 Value Indicator
¥80,000-¥120,000 Value Indicator
€10,500-€15,000 Value Indicator
$90,000-$130,000 Value Indicator
¥1,720,000-¥2,490,000 Value Indicator
$11,500-$16,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Resin
Edition size: 12
Year: 2011
Size: H 23cm x W 23cm
Signed: Yes
Format: Signed Ceramic
TradingFloor
MyPortfolio
Your collection tracked in real time.
Build your portfolio, manage valuations, view return against your collection and watch works you're looking for.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Tate Ward Auctions - United Kingdom | Plaque (heritage blue) - Signed Ceramic | |||
| May 2022 | Phillips London - United Kingdom | Plaque (heritage blue) - Signed Ceramic | |||
| June 2021 | Phillips London - United Kingdom | Plaque (heritage blue) - Signed Ceramic | |||
| September 2019 | Christie's London - United Kingdom | Plaque (heritage blue) - Signed Ceramic |
Meaning & Analysis
Plaque (heritage blue) is a resin plaque released in 2011 as a signed edition of 12. Unlike Stik’s towering murals and bold prints, Plaque cuts a diminutive and quiet figure, measuring 2.3 cm in diameter and 2 cm in depth. Hand-painted and cast in tinted resin, the plaque features a figure which is classic Stik, but takes on an emphasised air of vulnerability with its small size.
The use of resin is a further example of Stik experimenting with materials of the street in his art, highly reminiscent of his use of traffic lights in his exhibition entitled Walk. The use of resin in a piece destined for the gallery articulates Stik’s vision of his work as a process that is a continuous “collaboration with the city”. He originally relied on materials found on the street, noting: “I was pretty broke and painted on found materials, pulling things out of rubbish bins.”
The decision to work with resin complicates the neat division between Stik’s street and gallery practice, between which he has tended to draw a contrast. With Plaque, Stik brings materials associated with the urban exterior into the contained environment of the gallery interior.