Onbu (grey)
Onbu (grey)
Signed Print
Stik
£15,000-£20,000 VALUE (EST.)
$29,000-$40,000 VALUE (EST.)
$26,000-$35,000 VALUE (EST.)
¥140,000-¥180,000 VALUE (EST.)
€17,000-€23,000 VALUE (EST.)
$150,000-$200,000 VALUE (EST.)
¥2,760,000-¥3,680,000 VALUE (EST.)
$19,000-$25,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Woodcut, 2013
Signed Print Edition of 15
H 47cm x W 20cm
TradingFloor
Your collection tracked in realtime.
Build your portfolio, manage valuations, view return against your collection and watch works you’re looking for.
Track value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2021 | Sotheby's London - United Kingdom | Onbu (grey) - Signed Print | |||
| September 2020 | Christie's London - United Kingdom | Onbu (grey) - Signed Print | |||
| March 2019 | Christie's London - United Kingdom | Onbu (grey) - Signed Print |
Meaning & Analysis
Onbu (grey) is a woodcut print produced using traditional ukiyo-e techniques, released in 2013 as a signed edition of 15.
This intimate depiction of a piggyback is based on a detail from Utagawa Hiroshige’s series of woodcut prints entitled The Fifty-Three Stations of the Tokaido. While the inspiration behind this work is particular, it calls attention to a quiet moment of interaction and recognition, as in other works by the artist such as Holding Hands and Big Mother. Similarly to the way in which Stik’s murals and prints focus on an intimate moment within a frenetic urban context, here the artist isolates a fragment of a chaotic historical scene.
Recalling the Japanese origins of the inspiration behind Stik’s iconic style, the Onbu prints were produced using traditional ukiyo-e techniques. The act of making ukiyo-e prints begins with the creation of the design on paper, which is then transferred to a cherry wood block for printing. Afterwards, the pattern is carved into the block, which may then be used to create initial monochromatic prints before adding layers of extra colour as needed via the cutting of further blocks.
