Walk (blue)
Walk (blue)
Signed Print
Stik
£25,000-£35,000Value
Indicator
$50,000-$70,000 Value Indicator
$45,000-$60,000 Value Indicator
¥230,000-¥320,000 Value Indicator
€29,000-€40,000 Value Indicator
$250,000-$350,000 Value Indicator
¥4,660,000-¥6,520,000 Value Indicator
$30,000-$45,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Format: Signed Print
Year: 2012
Size: H 106cm x W 37cm
Edition size: 5
Signed: Yes
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Track auction value trend
The estimated value of Stik's Walk (blue) (signed) is between £25,000 and £35,000. This screenprint artwork was created in 2012 and has had only one sale at auction to date, which took place on 17th March 2021. The hammer price on that occasion was £24,000. The seller received an average return of £20,400, indicating a slight decrease in value with an average annual growth rate of -9%. The edition size of this artwork is strictly limited to just 5 pieces.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2021 | Sotheby's London - United Kingdom | Walk (blue) - Signed Print |
Meaning & Analysis
Walk (blue) is a screen print in white, blue and black, depicting a stick figure caught between stillness and movement, looking forwards with anticipation.
While the figure in Walk is still within the borders of the print, an air of anticipation and progress is palpable. Stik says: “Walk” is about me taking the next step. In all of my other drawings, Stik is looking over the shoulder, being really cautious but this one, the eyes are actually looking forward. He still looks cautious, but it’s like looking into the future, going towards something, knowing what I want. It’s taking my first steps.”
Released at the time of a landmark exhibition of the same name, Walk is at once witness to the forward movement of Stik’s career and testament to how movement informs the act of looking. The artist has considered his personal and artistic progress as a series of physical steps: “It’s this walk, walk, walk thing, moving on, putting down tracks. When you meet somebody and they see your footsteps leading into the horizon, they can look at you and say, “Fucking hell. Well, you’ve come far, haven’t you?”
