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Space
Fruit

Among few still life series Andy Warhol created, his Space Fruits were begun in 1979, with the rarest editions: the citruses, which exist in edition sizes of just 10. The subsequent portfolio of the other fruits was released in an edition of 150 on the same paper, and 30 on board.

Andy Warhol Space Fruit For sale

Space Fruit Value (5 Years)

Works from the Space Fruit series by Andy Warhol have a strong market value presence, with 90 auction appearances. Top performing works have achieved standout auction results, with peak hammer prices of £95283. Over the past 12 months, average values across the series have ranged from £7000 to £18513. The series shows an average annual growth rate of 2.78%.

Space Fruit Market value

Annual Sales

Auction Results

ArtworkAuction
Date
Auction
House
Return to
Seller
Hammer
Price
Buyer
Paid
15 Oct 2025
Rago
£6,375
£7,500
£10,500
24 Sept 2025
Sotheby's London
£5,525
£6,500
£9,000
19 Jul 2025
Mainichi Auction, Osaka
£11,900
£14,000
£16,000
29 Mar 2025
Barridoff Galleries
£7,225
£8,500
£10,500
23 Jan 2025
Phillips London
£8,500
£10,000
£14,000
13 Dec 2024
Mainichi Auction, Osaka
£11,900
£14,000
£17,000
27 Oct 2022
Sotheby's New York
£68,000
£80,000
£110,000

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Meaning & Analysis

Despite being one of his rare still life studies, Warhol’s Space Fruit portfolios from 1979 depict oranges and lemons in a style that can only be his. It includedSpace Fruit: Lemons and Space Fruit: Orange, in 1979 a portfolio called Space Fruit Still Lifes representing further still life images of fruits were also produced. Still lifes are remarkable within Warhol’s oeuvre for their rarity as the artist is better known for his pop culture imagery, iconography from movies and advertising.

Space Fruit: Lemons and Space Fruit: Orange are works printed in colour and published as a small limited edition of 10 and one printer’s proof on Strathmore Bristol paper made from cotton. The Space Fruit: Still lifes portfolio consisted of six screen prints in colour which Warhol chose to print on Strathmore Bristol paper once again. Each print from the portfolio was signed and numbered from a limited edition of 150 plus one printer’s proof with another 30 numbered in Roman numerals on Lenox Museum Board.

Warhol initially placed his images of fruits against a white background and used concentrated light aimed at the subjects with various angles to intensify and play with shadow, composition and the intensity of colour. This approach was then photographed and used as a reference when creating the screen prints.

The son of Slovakian immigrants born in Pittsburgh, Pennsylvania, Warhol became the founder and a leading advocate of the Pop Art movement in the United States from the early 1960s to the end of his career. His understanding and relationship with the reproduced image were the basis for his astounding success. In the visual culture of the time, with movies, advertising and celebrity booming, Warhol drew attention to these defining images of American culture. Andy Warhol once said that “I guess I’ve been influenced by everybody. But that’s good. That’s Pop”.

10 Facts About Warhol’s Space Fruit

A silkscreen of clustered peaches glowing in saturated orange and pink tones, their rounded shapes set against a vibrant blue ground.

Peaches (F. & S. II.202) © Andy Warhol 1979

1. Space Fruit began in 1979 as a rare Warhol still life series

Warhol’s Space Fruit marks a detour from the celebrity portraits and commercial logos that had dominated his output since the 1960s. Returning to the art-historical subject of still life, Warhol stripped the genre of its sentimental and moral connotations, presenting fruit as a pure object of form and colour. By translating a centuries-old subject into the mechanical language of Pop, Warhol demonstrated that even the most traditional themes could be reshaped by modern media.

A silkscreen of watermelon, its green rind intensified through Warhol’s electric colour palette.

Watermelon (F. & S. II.199) © Andy Warhol 1979

2. Warhol used studio lighting and photography to construct his Space Fruit compositions

To create Space Fruit, Warhol arranged real pieces of fruit on a white surface, illuminating them with strong angled light to cast long, dramatic shadows. He photographed these setups and used the resulting images as the basis for his silkscreens, tracing outlines and layering colour through multiple screens. This photographic process allowed him to balance precision with experimentation, turning simple fruit into composed studies of light, shadow and form.

A Pop Art still life of cantaloupes painted in layered orange and turquoise, their curved outlines sharply lit to create graphic contrast.

Cantaloupes I (F. & S. II.201) © Andy Warhol 1979

3. The title transforms everyday still life into a work of spectacle

Warhol’s deliberately odd title recasts ordinary fruit as if it belonged to science fiction, encouraging viewers to look beyond straightforward representation. By branding a traditional subject with futurist language, he shifts still life into the realm of Pop spectacle. The title invites abstraction and heightens a sense of unreality, situating these prints within the late-1970s appetite for synthetic colour and futuristic fantasy.

A screenprint of lemons in vivid yellow and green hues, casting long angular shadows across a stark pastel surface.

Lemons (F. & S. II.196) © Andy Warhol 1979