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Sunset

Epitomizing his prolific experimentation, Andy Warhol’s Sunset (1972) prints, commissioned by architects Johnson & Burgee for their new hotel in Minneapolis, contains 632 unique colour variants made from only three screens. Some 472 were installed in the hotel, while 160 were formed into 40 unique portfolios of four.

Sunset Value (5 Years)

Works from the Sunset series by Andy Warhol have a strong market value presence, with 77 auction appearances. Top performing works have achieved standout auction results, with peak hammer prices of £166096. Over the past 12 months, average values across the series have ranged from £33815 to £166096. The series shows an average annual growth rate of 14.81%.

Sunset Market value

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Meaning & Analysis

Commissioned by architects Johnson and Burgee for their new Minneapolis hotel in 1972, Warhol’s Sunset series is comprised of 142 colour variations. These themes pervaded much of Warhol’s work, as he sought to comment on American capitalism whist creating some of the most iconic and enduring images in the history of Pop Art. However, the Sunset series, which is revered as one of the most expressive portfolios of Warhol’s career, strays away from the territory of celebrity culture.

Warhol’s Sunset series was produced in 1972, commissioned by renowned architects Johnson & Burgee to be installed in their newly renovated Hotel Marquette in Minneapolis, Minnesota. The series consisted of 472 unique colour variations for installation in the hotel, in addition to 160 prints that were assembled in to 40 unique portfolios.

Astonishingly, all of the Sunset prints were produced using only three screen prints: one to apply the background strips of colour, one for the sun and one with a single-colour dot pattern to provide texture. Warhol then inked the screens in a range of colour combinations and printed them with varying registration to create a total of 632 unique screen prints on smooth woven paper.

With this technique the portfolio became widely regarded as the archetypal example of colour serialisation in contemporary art. This allowed Warhol to explore the range of graphic possibilities in a single image, manipulating colour and creating contrasting effects with each repetition. Individual prints in the series therefore evoke varying sensations and emotions based on their colour spectrum.

For example, Sunset (Red) depicts a harmonious mixture of red hues with the dark red sun as the focal point, becoming one of Warhol’s most desirable in the series due to its simplicity. By contrast, in Sunset 85 is perhaps a less conventional sunset with shades of light turquoise, green and beige blending together to create the horizon around the bold yellow sun.

10 Facts About Andy Warhol’s Sunset

A setting sun comprised of blues, purples and turquoises

Sunset © Andy Warhol 1972

1. Andy Warhol created the Sunset series in 1972 for Johnson & Burgee’s Hotel Marquette in Minneapolis

Commissioned specifically for the newly renovated Hotel Marquette, Johnson & Burgee sought art that could define the building’s atmosphere. Unlike ad hoc hotel décor, Sunset was conceived as an integrated visual system: a repeating motif calibrated to shift as guests moved through the site, echoing the daily cycle of light and dusk across Minneapolis.

A setting sun of greens and yellow

Sunset © Andy Warhol 1972

2. The Sunset series comprises 632 unique screenprints

Rather than a conventional edition with numbered multiples, Sunset is a matrix of 632 singular colourways built on the same motif. The scale let Warhol explore how micro-changes in colour alter perception and mood. It also showcased his factory mindset: a controlled production line that generated variation without sacrificing the image’s brand-like consistency. Sunset is among Warhol’s most ambitious print projects, the artist using the series as a research laboratory for colour behaviour in print.

A setting sun in pinks and oranges

sunset © Andy Warhol 1972

3. 472 Sunset prints were installed across the Hotel Marquette interiors

The majority of the prints were installed in the Hotel Marquette, transforming guest rooms, lobbies and corridors into different stages of the day. This environmental approach is central to the work’s identity, as Sunset was designed as an immersive chromatic scheme for hospitality architecture in the early 1970s.

Four Pop Art flowers in bright yellow

Flowers (F. & S. II.67) © Andy Warhol 1970