Meprobamate
Meprobamate
Signed Print
Damien Hirst
£7,000-£11,000
$15,000-$23,000 Value Indicator
$12,500-$20,000 Value Indicator
¥70,000-¥100,000 Value Indicator
€8,000-€13,000 Value Indicator
$70,000-$110,000 Value Indicator
¥1,320,000-¥2,070,000 Value Indicator
$9,000-$14,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 150
Year: 2011
Size: H 70cm x W 94cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2025 | Forum Auctions London | United Kingdom | |||
| October 2024 | Phillips London | United Kingdom | |||
| December 2022 | Koller Zurich | Switzerland | |||
| May 2021 | Van Ham Fine Art Auctions | Germany | |||
| March 2020 | Forum Auctions London | United Kingdom | |||
| January 2019 | Phillips London | United Kingdom | |||
| February 2018 | Christie's New York | United States |
Meaning & Analysis
Meprobamate is a screen print from 2011 by Damien Hirst that depicts a variation on Hirst’s very famous set of works called the Spot paintings. This print shows a number of brightly coloured spots in a grid-like formation, like many of the Spots paintings, but with the left hand corner of the grid removed. The Spots paintings are crucial to understanding Hirst’s quasi-scientific rationality that underpins much of his practice.
Working almost exclusively in series, Hirst’s scale of production is considerable enough to merit employing a large number of assistants across studios in Gloucester, Devon and London. The artist has said of this: “I like to do series… I think that I try to avoid doing something unique, or being unique. If you feel like that, you end up benefiting by using other people. I like the idea of a factory to produce work, which separates the work from the ideas, but I wouldn’t like a factory to produce ideas.”
Alongside the other Spots paintings in his oeuvre, the formulaic composition of Meprobamate explores the boundaries between aesthetics and science, based in Hirst’s fascination with colour combinations and harmony. The print embodies Hirst’s artistic oeuvre that interrogates the intersections between the scientific and the artistic that are wrongly assumed to be oppositional in contemporary culture.
