She Walks In Beauty
She Walks In Beauty
Signed Print
Damien Hirst
£13,000-£19,000
$25,000-$35,000 Value Indicator
$23,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€15,000-€23,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,580,000-¥3,770,000 Value Indicator
$17,000-$25,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Intaglio
Edition size: 55
Year: 2014
Size: H 87cm x W 85cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Christie's London - United Kingdom | She Walks In Beauty - Signed Print | |||
| March 2018 | Sotheby's London - United Kingdom | She Walks In Beauty - Signed Print | |||
| April 2017 | Sotheby's New York - United States | She Walks In Beauty - Signed Print |
Meaning & Analysis
She Walks in Beauty is an intaglio print from Damien Hirst’s 2015 Love Poems series that shows five butterflies scattered across the composition, set against a blood red backdrop. The butterflies are depicted in photographic detail and in bright saturated colours like blue, red, pink, orange and yellow.
The Love Poems series represents Hirst’s interest in combining hyperrealism with artificial colour and traditional methods of art making. Hirst has exemplified his skill in dealing with photographic themes in his work, notably beginning with the Fact painting series in 2000. Of this obsession with the photographic Hirst has explained, “Art has been in constant battle for hundreds of years with every other kind of image-making…newspapers are supposed to be about facts and truth, and you believe you get a true view of the world from these images when you don’t: they’re completely fake.”
The hyperrealism of the butterflies in this print are undermined by the flatness of the bright red backdrop. Hirst’s intuitive colour choice is based in aesthetic and non-rational demands that have remained in his practice since his art training at Goldsmiths. She Walks in Beauty shows the butterflies in a playful array of bright and contrasting colours producing an eye-catching print with universal appeal.
