Name: The Souls III (turquoise, rustic copper, silver gloss)
Brand: Damien Hirst
Rating: 4.9 (216 reviews)

The Souls III (turquoise, rustic copper, silver gloss)
Signed Print

Damien Hirst

£8,000-£11,500Value
Indicator

$15,000-$22,000 Value Indicator

$13,500-$20,000 Value Indicator

¥70,000-¥100,000 Value Indicator

€9,500-€13,500 Value Indicator

$80,000-$110,000 Value Indicator

¥1,530,000-¥2,200,000 Value Indicator

$10,000-$14,500 Value Indicator

39% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Track auction value trend

The value of Damien Hirst's The Souls III (turquoise, rustic copper, silver gloss) (signed) is estimated to be worth between £8,000 and £11,500. Over the past five years, the hammer price has shown strong growth, with an average annual growth rate of 39%. This foil block artwork, created in 2010, is a rare piece with an auction history of one sale on 11th December 2019. This work is part of a limited edition of 15 and demonstrates the artist's use of vibrant colours and unique materials.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

December 2019

Forum Auctions London - United Kingdom

The Souls III (turquoise, rustic copper, silver gloss) - Signed Print

Meaning & Analysis

The Souls III (turquoise, rustic copper, silver gloss) is a foil block print from Damien Hirst’s The Souls series from 2010. The print shows a large butterfly with its wings outspread, set against a white backdrop. Depicted in dark blue and green, the image of the butterfly is rendered with beautiful patterns on its wings, creating a highly aesthetic print.

Hirst is fascinated by religion and his work, like The Souls series, addresses the timeless endless renewing of faith in the face of mortality. The butterfly is used by the artist as a traditional symbol of the soul, and of the soul’s presence on Earth before transmigration to an afterlife. Thus, in the gallery space, The Souls create an all-encompassing effect that surrounds the viewer.

Speaking of the display of The Souls in the gallery space, Hirst has explained: “This comes from an idea to fill the gallery with butterflies, an idea that I’ve had before. When I think of ‘The Souls’ I think of Judgement Day and ‘Jacob’s ladder’. Many souls work better than one, so to hang them…and to use all the available space is great way of doing it theologically.”