Modern British Prints Market Report 2023
Dog Etching No. 2 - Signed Print by David Hockney 1998 - MyArtBroker

Dog Etching No. 2
Signed Print

David Hockney

£15,000-£22,000 VALUE (EST.)

$28,000-$40,000 VALUE (EST.)

$25,000-$35,000 VALUE (EST.)

¥130,000-¥200,000 VALUE (EST.)

17,000-25,000 VALUE (EST.)

$140,000-$210,000 VALUE (EST.)

¥2,730,000-¥4,000,000 VALUE (EST.)

$18,000-$27,000 VALUE (EST.)

17% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Etching, 1998
Signed Print Edition of 35
H 42cm x W 47cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
May 2008Bonhams San Francisco - United StatesDog Etching No. 2 - Signed Print

Meaning & Analysis

Dog Etching No. 2 (1998) depicts the two dogs sleeping together on a pillow. A similar scene features in Hockney’s Dog 43 Poster created for the Salts Mill exhibition. While the artist’s paintings of sausage dogs are most often associated with the vibrant pastel colour palette exemplified by the exhibition poster, this etching offers a more minimalist take on the subject. The artist reduces the tender scene to a minimum detail and draws upon the contrast between the dogs’ black fur and the brightness of the pillow. With the use of only a few elements, the print evokes a sense of secure comfort and tranquillity rooted in the artist’s personal world and, at the same time, speaking to the universal human experience and feelings.

Although affectionate and lighthearted in appearance, the pet portraits are rooted deeply in the context of personal loss. Hockney started to paint his dogs after the death of his close friend Henry Geldzahler, the American curator of contemporary art. He commented in this context: “I wanted desperately to paint something loving… I felt such a loss of love I wanted to deal with it in some way. I realised I was painting my best friends. [...] They’re like little people to me. The subject wasn’t dogs but my love of the little creatures.”

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