0% Sellers Fees on Gerhard Richter Prints
Kleine Badende - Signed Print by Gerhard Richter 1996 - MyArtBroker

Kleine Badende
Signed Print

Gerhard Richter

£60,000-£90,000 VALUE (EST.)

$110,000-$170,000 VALUE (EST.)

$100,000-$150,000 VALUE (EST.)

¥530,000-¥800,000 VALUE (EST.)

70,000-100,000 VALUE (EST.)

$570,000-$860,000 VALUE (EST.)

¥10,900,000-¥16,350,000 VALUE (EST.)

$70,000-$110,000 VALUE (EST.)

3% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Photographic print, 1996
Signed Print Edition of 45
H 68cm x W 50cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
September 2021Sotheby's New York - United StatesKleine Badende - Signed Print
March 2021Sotheby's New York - United StatesKleine Badende - Signed Print
July 2020Phillips London - United KingdomKleine Badende - Signed Print
July 2015Bonhams New Bond Street - United KingdomKleine Badende - Signed Print
February 2013Christie's London - United KingdomKleine Badende - Signed Print
September 2011Christie's London - United KingdomKleine Badende - Signed Print
May 2008Phillips New York - United StatesKleine Badende - Signed Print

Meaning & Analysis

Kleine Badende depicts a young woman in a white hat as she stands naked against a dark wall. A white piece of cloth covers the lower part of her body and her eyes are focused on the left side of the image. Portraits as a recurring theme in Richter’s work exemplify his innovative way of thinking about painting. His early black and white paintings, such as Mutter und Tochter (1964) were made from magazine photographs. As so often in Richter’s portraits, the identity of the subject in Kleine Badende is obscured. Through the effect of blurring, Richter questions the nature of memory, human relationships as well as the way we view the world around us. Richter commented on the function of the blurring technique: “I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.”

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