Landschaft II
Landschaft II
Signed Print
Gerhard Richter
£2,900-£4,300 VALUE (EST.)
$5,500-$8,000 VALUE (EST.)
$4,850-$7,000 VALUE (EST.)
¥25,000-¥35,000 VALUE (EST.)
€3,300-€4,900 VALUE (EST.)
$28,000-$40,000 VALUE (EST.)
¥470,000-¥700,000 VALUE (EST.)
$3,600-$5,500 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Intaglio, 1971
Signed Print Edition of 100
H 16cm x W 16cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2022 | Clars Auction Gallery - United States | Landschaft II - Signed Print | |||
| April 2017 | Van Ham Fine Art Auctions - Germany | Landschaft II - Signed Print | |||
| May 2011 | Van Ham Fine Art Auctions - Germany | Landschaft II - Signed Print | |||
| February 2002 | Lempertz, Cologne - Germany | Landschaft II - Signed Print | |||
| October 2001 | Christie's New York - United States | Landschaft II - Signed Print |
Meaning & Analysis
Landschaft II is a signed intaglio print by internationally acclaimed German painter Gerhard Richter. An example of the artist’s foray into the landscape genre, Landschaft II captures the diverse and constantly evolving nature of Richter’s oeuvre.
Rendered mostly in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in this context: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.
