5 Year Print Market Review 2023

Eight
Landscapes

Eight Landscapes (2000) is a set of eight digital prints by Julian Opie. Originating in photographs taken by the artist, the images were altered digitally to produce prints in Opie’s signature style of block colour, void of detail. Opie’s simplification cleverly produces universally-familiar scenes out of the specificity of photographs.

Julian Opie prints for sale

Cowbells Tractor Silence - Signed Print by Julian Opie 2000 - MyArtBroker
Cowbells Tractor Silence 
Julian OpieSigned Print 

TradingFloor

1 in network
1 want this
Siren Radio Traffic - Signed Print by Julian Opie 2000 - MyArtBroker
Siren Radio Traffic 
Julian OpieSigned Print 

£2,200-£3,300Value Indicator

$4,200-$6,500 Value Indicator

$3,750-$5,500 Value Indicator

¥20,000-¥30,000 Value Indicator

2,550-3,850 Value Indicator

$22,000-$35,000 Value Indicator

¥410,000-¥610,000 Value Indicator

$2,800-$4,200 Value Indicator

-1% AAGR (5YR)
Truck Birds Wind - Signed Print by Julian Opie 2000 - MyArtBroker
Truck Birds Wind 
Julian OpieSigned Print 

£2,300-£3,450Value Indicator

$4,400-$6,500 Value Indicator

$3,950-$6,000 Value Indicator

¥21,000-¥30,000 Value Indicator

2,700-4,050 Value Indicator

$23,000-$35,000 Value Indicator

¥430,000-¥640,000 Value Indicator

$2,900-$4,400 Value Indicator

-12% AAGR (5YR)
Radio Wind Tyres - Signed Print by Julian Opie 2000 - MyArtBroker
Radio Wind Tyres 
Julian OpieSigned Print 

£2,200-£3,300Value Indicator

$4,200-$6,500 Value Indicator

$3,750-$5,500 Value Indicator

¥20,000-¥30,000 Value Indicator

2,550-3,850 Value Indicator

$22,000-$35,000 Value Indicator

¥410,000-¥610,000 Value Indicator

$2,800-$4,150 Value Indicator

-6% AAGR (5YR)

Sell Your Art
with Us

Join Our Network of Collectors. Buy, Sell and Track Demand

Submission takes less than 2 minutes & there's zero obligation to sell
The Only Dedicated Print Market IndexTracking 48,500 Auction HistoriesSpecialist Valuations at the Click of a Button Build Your PortfolioMonitor Demand & Supply in Network Sell For Free to our 25,000 Members

Meaning & Analysis

Eight Landscapes is a set of eight digital prints by Julian Opie from 2000 rendered in his realistic, graphic style. Each image in the series was mounted with sound systems, playing the sounds described by the title or digital LED panels displaying the words of the title one by one.

Created from photographs taken by the artist, then scanned and altered digitally, this print is void of detail and simplified through the use of block flattened colour. Opie thus produces a generic image of the landscape that strikes a sense of familiarity within the viewer. Titling the images with descriptions of sounds he heard whilst taking the photographs, Opie explained “Things in my experience don’t look photographic. When I recall the things I did in a day, for example, it’s not as a series of photographs, high resolution pictures. It’s a series of images which resemble symbols and signs. It’s like another language.”

Eight Landscapes is devoid of any human presence and is depersonalised to the point of commodification whereby the viewer is able to make their own imaginative journey through the image. In composing this image from the perspective of someone walking along the road, Opie retains a sense of familiarity and human presence, thus inviting the viewer to step into the scene.

Opie names each print in this series with three words that refer to sounds that are not present in the actual work. Drawing attention to these sounds that can only be heard in the real world, Opie provokes the viewer to question the effectiveness of two-dimensional representations such as this. In simplifying the Eight Landscapes prints from their original photographs, Opie draws from his personal experience but depersonalises the image to allow the viewer to create their own unique interpretation. Much of Opie’s work has been compared to the digitally rendered landscapes of video games in the way that they mimic a simultaneously familiar yet otherworldly sphere.

Eight Landscapes strikes an interesting balance between the slick, impersonal style that is typical of a computer-generated image and the more personal list of sounds that Opie titles each print with. The series’ prints rekindle these familiar sounds from the viewer’s memory, and it is easy to imagine oneself within this scene. Opie frames nature within the artifice of a computer-generated image, thus the artificial is treated as if it were real by the viewer.