The Valley Page 2
The Valley Page 2
Signed Print
Keith Haring
£2,000-£3,000
$3,900-$6,000 Value Indicator
$3,550-$5,500 Value Indicator
¥19,000-¥28,000 Value Indicator
€2,400-€3,550 Value Indicator
$20,000-$30,000 Value Indicator
¥400,000-¥590,000 Value Indicator
$2,600-$3,900 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 80
Year: 1989
Size: H 36cm x W 30cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Lama - United States | The Valley Page 2 - Signed Print | |||
| November 2018 | Swann Auction Galleries - United States | The Valley Page 2 - Signed Print | |||
| November 2018 | Wright - United States | The Valley Page 2 - Signed Print | |||
| June 2018 | Forum Auctions London - United Kingdom | The Valley Page 2 - Signed Print |
Meaning & Analysis
This signed etching from 1989 is a limited edition of 80 from Keith Haring’s The Valley series. The Valley Page 2 shows an intricately rendered line drawing of a fictional flying machine next to an almost-nude boy. Accompanying text from William S. Burrough’s novel The Western Lands from 1987, the narrative explains that this flying machine was made of ‘lizard, snake and fish skins sewn to a frame of light wood’.
The Valley series marked a new direction in Haring’s visual language that continued until his untimely death in 1990 at the age of 31. Alongside his Apocalypse series (1988), this series introduces stylistic shifts of more complex compositions and characters such as jesters, masks, skills and martyrs. Completed two years after Haring’s own AIDS diagnosis, The Valley Page 2 is indicative of the artist’s preoccupation with hellish narratives and death.
The ominous texts by William S. Burroughs are copied by hand on sixteen sheets of tracing paper, which were photo-etched onto copper plates and printed in red ink. This print tells the story of a man who took all of his life to build this flying machine that would help save the people from the hellish Valley.
