Flower
Ball

The Flower Ball series captures the essence of Murakami’s unique visual style which is characterised by a love of colour, the incorporation of graphic visual motifs, such as smiling flowers, and an adoration of popular culture. The saturated patterns in this collection both overwhelm and excite the viewer, making it a visually stimulating series of prints that instantly capture one’s attention.

Murakami’s incorporation of popular culture into his works means the artist is often compared to Andy Warhol, the father of the 1960s Pop Art movement. The Pop Art movement challenged the notion of fine art by taking subjects from popular and mass culture, such as advertising or everyday consumer goods. One of the most notable examples of this is Andy Warhol’s Campbell's Soup series of prints. Like the Pop Artists, Murakami makes prints that depict cartoon characters from popular manga series and kawaii cartoon icons. These limited-edition prints go on to sell for six figure sums, meaning that Murakami elevates these symbols of ‘low’ culture to the realm of fine art and ‘high’ culture.

Pop Art is also renowned for an emphasis on mass-production and the use of machines to reproduce artworks. Murakami is obsessed with precision and perfection and aims to eliminate the hand of the artist from his artworks, which resonates strongly with the mechanical reproduction favoured by Pop Artists. Murakami has a team of over 100 technicians, all of which underwent rigorous training to be able to help the artist produce his works. The prints are all made using the same print making techniques and the technicians are tasked with cleaning up each print with a Q-tip, ensuring that any smudges or traces of the artist’s hand are eliminated. Like Andy Warhol’s New York studio, The Factory, in order to produce artworks on such a large scale, Murakami has a factory-size studio, known as Kaikai Kiki which is based in Miyoshi, an industrial area outside of Tokyo.

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