POA
This estimate blends recent public auction records with our own private sale data and network demand.
Digital Print, 2000
Signed Print Edition of 6
H 123cm x W 84cm
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
Sotheby's London - United Kingdom | Sometimes I Feel Beautiful - Signed Print | ||||
Sotheby's London - United Kingdom | Sometimes I Feel Beautiful - Signed Print | ||||
October 2020 | Sotheby's New York - United States | Sometimes I Feel Beautiful - Signed Print | |||
March 2016 | Sotheby's London - United Kingdom | Sometimes I Feel Beautiful - Signed Print |
This signed screen print from 2000 is a limited edition of 6 from Tracey Emin’s Polaroids collection. The vertical print shows the artist as she lies naked in a full bathtub. Her head is reclined towards the viewer, her eyes are closed while her hands hold her legs together in a seemingly infantile and foetal pose.
Self-portraiture and autobiography lie at the core of British artist Emin’s project. In works like her Writings, Emin’s confessions take the form of open-ended letters, whereas in works like her Nude Self-Portraits, they are enacted through the tentative and rushed contours of pencil and ink drawings. In Sometimes I Feel Beautiful, Emin’s portraiture takes on new forms and new meanings. The image is an enlarged Polaroid snapshot of Emin where the artist is shown lying naked in her bathtub, with her face reclined towards the viewer. Emin appears with her eyes closed, as if sleeping, while her hands hold her legs in a reassuring and relaxed pose.
Interestingly, this image portrays the artist in a blissful state of meditation and greatly contrasts the satirical, confrontational tones typically projected throughout her work. The tranquillity and serenity of the image is heightened by the title, Sometimes I feel Beautiful, as an optimistic note is conveyed - a rarity in Emin's raw and honest productions. This artwork distinguishes itself from her other works and is testimony to Emin’s ability to shift from her ironic and painfully raw images to a temporary moment of acceptance.