Combining minimalism with Pop Art in a strikingly contemporary style, Julian Opie has been making work that resonates with art lovers across the world for over two decades. Here we take a look at his most famous artworks, from his quadruple portrait of Britpop band Blur to his animated walking figures.
In 2015 Opie’s animated sculpture Shaida Walking was permanently installed on London’s Carnaby Street. Located in the busiest shopping area of the city, Opie wanted the figure of the walking woman “to stride endlessly as a living drawing and as part of the crowd.” In order to create the work, he filmed a model walking on a treadmill and translated the film into his signature style, stripping the figure down to its essential lines. He then made a hand drawing of each individual frame to create an animated film which is shown on an LED (light-emitting diode) display, of the kind that is normally used for billboards and information panels. In this way he produced a piece that strived to the universality of the signs we encounter in everyday life, such as the global symbol for male and female toilets which Opie claims originally inspired his minimal figures.
While Opie is perhaps best known for his figures and portraits, he also has a strong interest in landscape and how natural features such as trees and hills can also be reduced to blocks of colour and line. The Imagine You Are… series features images of an empty road; curving away from the viewer it is flanked by nondescript greenery and framed by a flat blue sky. Simplified to its essentials, the works recall cartoon or video game backgrounds, and seem to invite the viewer to fill the rest in for themselves. A 2002 variation of the work sees Opie placing a portrait of Formula One driver Jacques Villeneuve next to an image of a racing track. Villeneuve is shown gazing out at the viewer, his head tilted slightly away from us, his face occasionally obscured by his helmet which reflects an advertisement for Lucky Strike cigarettes.
Opie has also painted a series of sexualised images of women as reclining nudes, strippers or pole dancers. Perhaps his most famous work in this vein is the This is Shahnoza series which depicts an Iranian pole dancer Opie met in a Soho strip club while searching for someone “who danced well” to pose for his paintings. “I’d bought the pole on the internet;” he explained in a 2011 interview, “I thought I could get more dynamic poses from models.” Shahnoza spent the next two days dancing for Opie at his East London studio, where he took over 2,000 photographs of her from which to work. These images became a series of paintings, prints and LED animations which are highly sought after on the market today.
In 2000 Britpop band Blur released their Best of album, propelling them to the top of the charts once again and making Julian Opie a household name. His award winning cover for the LP featured portraits of each band member arranged in a grid in true Warhol style. Now hanging in the National Portrait Gallery, the print series features the group’s lead guitarist Graham Coxon on an orange background, bassist Alex James on a deep blue, drummer Dave Rowntree on hot pink and finally lead singer Damon Albarn on green. While their faces have been stripped of tone and detail, their eyes reduced to mere dots, each band member has a unique expression and stance, demonstrating Opie’s ability to convey a sitter’s personality in just a handful of lines.
Created 10 years after the Blur album, Opie’s portrait of James Dyson shows how the artist’s style has evolved in the latter part of his career. Here he depicts the British inventor’s face half in shadow to create a chiaroscuro effect that shows a marked departure from his earlier works. His facial features are also clearly picked out in detail, where before they would have been just lines and dots.