Mammy (F. & S. II.262)
Mammy (F. & S. II.262)
Signed Print
Andy Warhol
£24,000-£35,000
$45,000-$70,000 Value Indicator
$45,000-$60,000 Value Indicator
¥230,000-¥330,000 Value Indicator
€28,000-€40,000 Value Indicator
$240,000-$350,000 Value Indicator
¥4,880,000-¥7,120,000 Value Indicator
$30,000-$45,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 200
Year: 1981
Size: H 97cm x W 97cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2024 | Lempertz, Cologne - Germany | Mammy (F. & S. II.262) - Signed Print | |||
| March 2024 | A.N. Abell Auction Company - United States | Mammy (F. & S. II.262) - Signed Print | |||
| October 2023 | Christie's New York - United States | Mammy (F. & S. II.262) - Signed Print | |||
| June 2023 | Phillips London - United Kingdom | Mammy (F. & S. II.262) - Signed Print | |||
| April 2023 | Phillips New York - United States | Mammy (F. & S. II.262) - Signed Print | |||
| December 2022 | Lempertz, Cologne - Germany | Mammy (F. & S. II.262) - Signed Print | |||
| September 2022 | Bonhams Los Angeles - United States | Mammy (F. & S. II.262) - Signed Print |
Meaning & Analysis
Mammy (F. & S. II.262) is a signed screen print in colours with diamond dust made by the renowned artist Andy Warhol in 1981. Coming in an edition size of 200 the print depicts a portrait of a woman rendered in Warhol’s characteristic Pop Art style. Set against a black backdrop, the artist draws the outlines of the woman with brightly coloured gestural lines. The woman’s face is delineated with turquoise and green eyes, and Warhol adds a pair of large hoop earrings rendered yellow which stand out against the dark background. Warhol gives the woman a red head band which matches her bold red lips.
The woman in Mammy (F. & S. II.262) is based on a known character, Mammy, that takes various archetypal features from women depicted in popular culture. The first appearance of Mammy was in Harriet Beecher Stowe’s anti-slavery novel Uncle Tom’s Cabin (1852). Mammy has become a largely mythologised character that plays an important role in American popular culture.
Mammy (F. & S. II.262) is part of Warhol’s Myths collection, a series of ten screen prints, all of which depict idols from the American entertainment industry. Many of the people and characters that Warhol choses as subjects for this collection are taken from 1950s television shows or old Hollywood films.
