5 Year Print Market Review 2023
Uncle Sam (F. & S. II.259) - Signed Print by Andy Warhol 1981 - MyArtBroker

Uncle Sam (F. & S. II.259)
Signed Print

Andy Warhol

£45,000-£60,000 VALUE (EST.)

$90,000-$110,000 VALUE (EST.)

$70,000-$100,000 VALUE (EST.)

¥400,000-¥540,000 VALUE (EST.)

50,000-70,000 VALUE (EST.)

$430,000-$580,000 VALUE (EST.)

¥8,180,000-¥10,900,000 VALUE (EST.)

$60,000-$70,000 VALUE (EST.)

12% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1981
Signed Print Edition of 200
H 97cm x W 97cm

TradingFloor

5 in network
2 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
July 2021Wright - United StatesUncle Sam (F. & S. II.259) - Signed Print
October 2020Phillips New York - United StatesUncle Sam (F. & S. II.259) - Signed Print
April 2019Sotheby's New York - United StatesUncle Sam (F. & S. II.259) - Signed Print
October 2018Sotheby's New York - United StatesUncle Sam (F. & S. II.259) - Signed Print
June 2016Uppsala Auktionskammare - SwedenUncle Sam (F. & S. II.259) - Signed Print
April 2016Sotheby's New York - United StatesUncle Sam (F. & S. II.259) - Signed Print
March 2016Sotheby's London - United KingdomUncle Sam (F. & S. II.259) - Signed Print

Meaning & Analysis

Uncle Sam (F. & S. II.259) is part of Warhol’s Myths collection which features ten screen prints, all of which depict icons and idols from American popular culture. While many of the subjects for Warhol’s portraits in this collection are characters from television shows and films, Uncle Sam is one of the few figures that was not created for entertainment purposes.

To create this portrait, Warhol asked one of his friends to dress up as Uncle Sam so he could take Polaroid photographs of the character in any pose he wanted which would then act as the source material for the screen prints. This contrasts with many of Warhol’s other screen prints which were based on preexisting imagery, such as those in the Ads collection.

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