Nifedipine
Nifedipine
Signed Print
Damien Hirst
£5,000-£7,500Value
Indicator
$9,500-$14,500 Value Indicator
$8,500-$13,000 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€9,000 Value Indicator
$50,000-$70,000 Value Indicator
¥930,000-¥1,390,000 Value Indicator
$6,500-$9,500 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Woodcut
Format: Signed Print
Year: 2012
Size: H 15cm x W 15cm
Edition size: 55
Signed: Yes
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The estimated value of Damien Hirst's Nifedipine (signed) is between £5,000 and £7,500. This woodcut artwork was created in 2012 and has had one sale at auction since its first sale on 13th December 2017. The edition size of this artwork is limited to 55.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2017 | Christie's New York - United States | Nifedipine - Signed Print |
Meaning & Analysis
Nifedipine is a woodcut print from Damien Hirst’s 40 Woodcut Spots series from 2011. The print is a square composition with four circles positioned in each corner. Set against a plain white backdrop, the spots are depicted in flattened colours of yellow, sky blue, khaki green and royal blue. Using contrasting colours and a methodical composition, this print is an exploration of colour and form that is distinctly Hirstian.
As with all of the spot paintings that Hirst has produced in his career, this print is formulaic and crisp in form. The spots are a perfect circle and semi-circle set against a clinical white backdrop. Their clean edges and bright, flat colours indicate a lack of human touch in the production of this print. Hirst in fact employed assistants to produce them and the paintings are painstaking and laborious to produce.
Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Hirst explains that, “mathematically, with the spot paintings, I probably discovered the most fundamentally important thing in any kind of art. Which is the harmony of where colour can exist on its own, interacting with other colours in a perfect format.”
