Name: Small Dogs (T.344)
Brand: David Hockney
Rating: 4.9 (253 reviews)

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British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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Small Dogs (T.344)

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While many of Hockney’s prints depicting his dachshunds are monochrome, Small Dogs is a vibrant celebration of these delightful creatures. Here Stanley and Boodgie are shown on a plump blue and white cushion, their brick red fur boldly outlined in black, their delicate features picked out by just a handful of masterful brushstrokes onto the plate. While the cushion’s pattern recalls Hockney’s earlier series of swimming pools, the off register effect of the red going over the black recalls the signature screen print style of Andy Warhol, who was also a big fan of sausage dogs. The dogs are shown at rest, as is typical for these portraits, which span from the late ’80s to late ’90s, suggesting the artist had a hard time pinning them down for a sitting when they were awake. With eyes closed they are blissfully unaware of Hockney's gaze and emit an aura of peace and intimacy, and of complete comfort, which tells us more about their relationship with Hockney than if he had included himself in the portrait. One of Hockney's most painterly prints of his pets, Small Dogs recalls his later works on canvas as well as his digital drawings.

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While many of Hockney’s prints depicting his dachshunds are monochrome, 

 is a vibrant celebration of these delightful creatures. Here Stanley and Boodgie are shown on a plump blue and white cushion, their brick red fur boldly outlined in black, their delicate features picked out by just a handful of masterful brushstrokes onto the plate. While the cushion’s pattern recalls Hockney’s earlier series of 

, the off register effect of the red going over the black recalls the signature screen print style of 

, who was also a big fan of sausage dogs. The dogs are shown at rest, as is typical for these portraits, which span from the late ’80s to late ’90s, suggesting the artist had a hard time pinning them down for a sitting when they were awake. With eyes closed they are blissfully unaware of Hockney's gaze and emit an aura of peace and intimacy, and of complete comfort, which tells us more about their relationship with Hockney than if he had included himself in the portrait. One of Hockney's most painterly prints of his pets, 

recalls his later works on canvas as well as his digital drawings.

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Small Dogs (T.344)

Small Dogs (T.344)
Signed Print

David Hockney

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Small Dogs (T.344)

Small Dogs (T.344)Signed Print

David Hockney

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Small Dogs (T.344)
Signed Print