Celebration
Celebration
Signed Print
David Hockney
£16,000-£23,000
$30,000-$45,000 Value Indicator
$28,000-$40,000 Value Indicator
¥150,000-¥220,000 Value Indicator
€19,000-€27,000 Value Indicator
$160,000-$230,000 Value Indicator
¥3,260,000-¥4,680,000 Value Indicator
$21,000-$30,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 50
Year: 1989
Size: H 43cm x W 55cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2021 | Cornette de Saint Cyr Paris - France | Celebration - Signed Print | |||
| April 2021 | Cornette de Saint Cyr Paris - France | Celebration - Signed Print |
Meaning & Analysis
Celebration is a signed print by British artist, David Hockney, and was released in an edition of 50 in 1989. Spanning two sheets of paper, the photocopier print acts as a diptych.
A fanfare of colour and texture, Celebration repsents Hockney’s unique ability to translate his aesthetic across multiple mediums. Here we see him take the office photocopier as his tool, a machine he favoured because of the autonomy and spontaneity it offered in the printmaking process. While before he was reliant on an assistant to prepare plates and inks, with the photocopier he could take matters into his own hands, combining colour and texture, drawings and found objects, with immediate results. The machine was also an automatic printing press which allowed him to produce dozens of digital editions as soon as he landed on the right combination of layers.
Speaking of his newfound technique the artist said, “I can work with great speed and responsiveness. In fact this is the closest I’ve ever come in printing to what it’s like to paint: I can put something down, evaluate it, alter it, revise it, reexamine it, all in a matter of seconds.” In this work, which stands out from most of the others in the series, we can see the roots of many of his works in print and on canvas throughout the ’90s when he became more preoccupied with abstraction. Cut out shapes converge on a grassy plane, their outlines curved, lending the composition a striking dynamism. Fine lines and mottled areas of colour lend depth here and there while elsewhere flatness dominates.
