David Hockney

£10,000-£15,000 VALUE (EST.)

$19,000-$28,000 VALUE (EST.)

$17,000-$25,000 VALUE (EST.)

¥90,000-¥130,000 VALUE (EST.)

€11,500-€17,000 VALUE (EST.)

$100,000-$150,000 VALUE (EST.)

¥1,720,000-¥2,580,000 VALUE (EST.)

$12,500-$19,000 VALUE (EST.)

35% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

September 2022

Christie's London - United Kingdom

Grey Blooms - Signed Print

September 2022

Phillips London - United Kingdom

Grey Blooms - Signed Print

September 2021

Sotheby's Online - United Kingdom

Grey Blooms - Signed Print

July 2018

Christie's New York - United States

Grey Blooms - Signed Print

Meaning & Analysis

Grey Blooms (1986) is a signed print on Arches rag paper demonstrating David Hockney's fascination with the technology of photocopying. Overflowing with exuberant shapes, playful petal forms, and robust, curved lines, the print captures the creative evolution of Hockney’s style as he experiments with fragments of cutout paper and places them in unexpected spatial relationships. What interests the artist here is not the realism of representation present in his other flower paintings but bringing the commonplace subject matter closer to abstraction. The print shares a strong visual affinity with Henri Matisse’s Snow Flowers (1951), also composed from paper cutouts. As in the case of Matisse, the flowers here are vividly abstracted, exhibiting an imaginary undertone. The work was executed on an office copy machine and belongs to Home Made Prints, a series of thematically diverse works, such as Celia With Chair (1986), Man Reading Stendhal (1986) or Dancing Flowers (1986) similar in style to Grey Blooms. The artist has said in the context of photocopying that inspired Home Made Prints: “In fact, this is the closest I’ve ever come in printing to what it’s like to paint: I can put something down, evaluate it, alter it, revise it, all in a matter of seconds.”