Fifth Detail, Snails Space, March 27th 1995
Fifth Detail, Snails Space, March 27th 1995
Signed Print
David Hockney
£13,000-£19,000Value
Indicator
$25,000-$35,000 Value Indicator
$22,000-$35,000 Value Indicator
¥120,000-¥170,000 Value Indicator
€15,000-€22,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,450,000-¥3,580,000 Value Indicator
$16,000-$24,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Digital Print, 1995
Signed Print Edition of 45
H 84cm x W 107cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2020 | Sotheby's New York - United States | Fifth Detail, Snails Space, March 27th 1995 - Signed Print | |||
| July 2015 | Sotheby's New York - United States | Fifth Detail, Snails Space, March 27th 1995 - Signed Print | |||
| April 2012 | Christie's New York - United States | Fifth Detail, Snails Space, March 27th 1995 - Signed Print | |||
| April 2008 | Christie's London - United Kingdom | Fifth Detail, Snails Space, March 27th 1995 - Signed Print |
Meaning & Analysis
Fifth Detail, Snails Space, March 27th 1995 is a digital print executed in 1995 in an edition of 45. Executed by the much loved British artist David Hockney, this is a digital inkjet print in colour.
Fifth Detail, Snails Space, March 27th 1995 is a digital print depicting work from Daivd Hockney’s Snails Space series, which grew out of Hockney’s practice of arranging separate canvases around his studio, painting the floor, and inviting his visitors to step into the colourful, vibrant world of his paintings. Here, the artist painted canvases and arranged them perpendicularly, so they create the set of an imagined world. Three-dimensional and painted patterns and shapes suggest enchanted hills, houses and forests. In Fifth Detail, small cuboid structures mimic houses, set in front of sprawling hills. The title offers a pun and suggestion on behalf of the artist: he is inviting his viewers into a fantastical world, to sit down and observe the world: to indulge in the pleasure of looking and comprehend how beautiful the world is at a slower pace. Snails Space represents yet another aspect of Hockney’s sprawling career, in which he does not limit himself to certain mediums, but endeavours to explore all possible methods of artistic output.
