Second Detail, Snails Space, March 25th 1995
Second Detail, Snails Space, March 25th 1995
Signed Print
David Hockney
£11,000-£16,000 VALUE (EST.)
$20,000-$29,000 VALUE (EST.)
$19,000-$27,000 VALUE (EST.)
¥90,000-¥130,000 VALUE (EST.)
€12,500-€18,000 VALUE (EST.)
$110,000-$150,000 VALUE (EST.)
¥1,760,000-¥2,550,000 VALUE (EST.)
$13,500-$20,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Digital Print, 1995
Signed Print Edition of 45
H 89cm x W 110cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2022 | Germann Auctions - Switzerland | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| July 2020 | Sotheby's New York - United States | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| August 2019 | Van Ham Fine Art Auctions - Germany | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| July 2015 | Sotheby's New York - United States | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| October 2008 | Christie's London - United Kingdom | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| April 2006 | Sotheby's New York - United States | Second Detail, Snails Space, March 25th 1995 - Signed Print | |||
| November 2003 | Christie's New York - United States | Second Detail, Snails Space, March 25th 1995 - Signed Print |
Meaning & Analysis
Second Detail, Snails Space, March 27th 1995, is a digital print executed in 1995 in an edition of 45. Executed by the much loved British artist David Hockney, this is a digital inkjet print in colour.
Second Detail, Snails Space, March 27th, 1995, is one in a series of five prints which documents an artwork that simultaneously functions as an installation, inspired by the organised chaos of Hockney’s own studio, in which canvases lined the walls and spread out across the floor, constructing a set in which visitors could enter into a world of colour. Second Detail offers yet another perspective of this fictive world, which is the subject matter of the whole series. From this perspective, rows of small cubes sprawl into the distance, mimicking blocks of houses in an urban metropolis. A tall black conical structure rises above this, echoing a factory chimney. Overall, Second Detail provides a glimpse at a world, constructed by Hockney, blown up to immense size. This artwork would later be transformed into an installation, playing on the idea of “painting as performance” as the artwork would become a silent stage set, inviting viewers to slow down, to a snail’s pace, and observe the beauty of the world around them.
