Name: The Yosemite Suite 14
Brand: David Hockney
Rating: 5 (235 reviews)

Track auction value trend

The value of David Hockney’s The Yosemite Suite 14 (signed) is estimated to be worth between £50,000 and £80,000. This digital print, created in 2010, has shown consistent value growth, with an average annual growth rate of 28%. This work is part of a limited edition of 25 and has an auction history of two total sales since its entry to the market in March 2018.

Meaning & Analysis

The Yosemite Suite 14 by David Hockney is a digital print created in 2010, part of a series of 25 iPad drawings. This artwork captures a scene from Yosemite National Park, featuring a tall tree against a blue sky with surrounding foliage. Hockney produced this piece using the Brushes app on his iPad, demonstrating his exploration of digital media in landscape art. This work is part of Hockney's broader investigation into new technologies for artistic creation.

In The Yosemite Suite 14, Hockney employs digital technology to render the landscapes of Yosemite National Park. The composition centres on a prominent tree, set against a bright blue background. To the left of this tree is another with swirls of green leaves, and to the right are some tubular black forms which might resemble another tree. Hockney's use of the iPad allows for a range of digital brushstrokes and textures, resulting in a dynamic interplay of colours and forms.

This artwork is part of Hockney's exploration of digital media, which began in 2009 when he started creating art on his iPhone. The Yosemite Suite, completed in 2010-2011, represents a significant development in this digital journey. Hockney's approach to digital art maintains his distinctive style while adapting to new tools, as evidenced by the vibrant palette and nuanced textures in particular this piece.

The creation of The Yosemite Suite 14 involved Hockney working directly in the landscape of Yosemite, using his iPad to capture the immediacy of the scene. This method allowed him to layer and manipulate colours digitally, achieving effects that differ from his traditional paintings. The resulting artwork combines the spontaneity of on-site sketching with the precision of digital editing.