Contemporary Print Market Report

Yosemite Suite

Find out more about The Yosemite Suite series, browse prints & editions for sale & view the works wanted by active buyers right now.

Buy and sell David Hockney prints

David Hockney: The Yosemite Suite 22 - Signed Print
The Yosemite Suite 22 Signed Print 
David Hockney

£50,000-£70,000 Guide

AUD80,000-AUD120,000 Guide

CAD70,000-CAD100,000 Guide

CNY390,000-CNY540,000 Guide

60,000-80,000 Guide

HKD430,000-HKD600,000 Guide

¥7,780,000-¥10,890,000 Guide

$50,000-$80,000 Guide

David Hockney: The Yosemite Suite 12 - Signed Print
The Yosemite Suite 12 Signed Print 
David Hockney

£60,000-£80,000 Guide

AUD100,000-AUD130,000 Guide

CAD90,000-CAD120,000 Guide

CNY460,000-CNY620,000 Guide

70,000-90,000 Guide

HKD510,000-HKD680,000 Guide

¥9,330,000-¥12,450,000 Guide

$70,000-$90,000 Guide

David Hockney: The Yosemite Suite 23 - Signed Print
The Yosemite Suite 23 Signed Print 
David Hockney

£70,000-£100,000 Guide

AUD120,000-AUD170,000 Guide

CAD100,000-CAD150,000 Guide

CNY540,000-CNY770,000 Guide

80,000-110,000 Guide

HKD600,000-HKD850,000 Guide

¥10,890,000-¥15,560,000 Guide

$80,000-$110,000 Guide

David Hockney: The Yosemite Suite 1 - Signed Print
The Yosemite Suite 1 Signed Print 
David Hockney

£80,000-£110,000 Guide

AUD130,000-AUD180,000 Guide

CAD120,000-CAD160,000 Guide

CNY620,000-CNY850,000 Guide

90,000-120,000 Guide

HKD680,000-HKD940,000 Guide

¥12,450,000-¥17,110,000 Guide

$90,000-$120,000 Guide

David Hockney: The Yosemite Suite 21 - Signed Print
The Yosemite Suite 21 Signed Print 
David Hockney

£70,000-£90,000 Guide

AUD120,000-AUD150,000 Guide

CAD100,000-CAD130,000 Guide

CNY540,000-CNY700,000 Guide

80,000-100,000 Guide

HKD600,000-HKD770,000 Guide

¥10,890,000-¥14,000,000 Guide

$80,000-$100,000 Guide

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Critical Review

Comprised of groundbreaking ipad landscape works, The Yosemite Suite series show Hockney once again revolutionising printing methods. Having already experimented with lithography, etching and screen printing, he now turned to the digital to achieve his characteristically striking compositions in bold colours.

That same year Hockney took his iPad to Yosemite National Park in California and proceeded to ‘paint’ 24 views of this majestic valley using the Brushes app. The ease of using a digital medium allowed him to work en plein air just like artists such as Monet and Turner whom he admired. Before he would have had to use watercolour or pen and ink to make preparatory sketches before transferring the work to an etching plate or lithographic stone but with the iPad he could work directly onto the screen, picking and choosing from hundreds of shades of colour and thicknesses of brush without ever getting his hands dirty. And here colour abounds. The works recall his paintings and prints from the ’90s with their bold clashing tones – at their most extreme the prints depict bright pink roads, as in Untitled No.4, electric blue shadows and acid green trees. Elsewhere the colours are toned down and the contrasts subtly blended, as with Untitled No.20 and Untitled No.15.

Despite the flatness of the digital medium, Hockney manages to incorporate depth and texture into the natural landscape he is depicting, with sponge-like brush effects in Untitled No.10 and Untitled No.11 which sees him painting trees in a naturalistic style. Elsewhere the digital nature of these prints is enhanced with crude rounded lines that deliberately recall digital drawing tools, as in Untitled No.16 and Untitled No.24.