Still
Life

This series is an example of Opie’s desire to work with one idea across a number of different compositions, producing many versions of a similar subject. Across the Still Life series, Opie is almost formulaic with his colour and composition choices, each characterised by a black background and a bright colour palette. Opie pairs the fruit and vegetables together dependent on their contrasting colours to produce seemingly random compositions.

Since the mid-1990s, Opie has explored the principles of modular variation across artistic media and art historical genres. The artist’s Still Life series is indicative of this investigation, with prints consisting of similar titles, each with the same horizontal composition, and the use of fruit and vegetables interchanged in each print. Opie emphasises art as a commodity in his replication of post-industrial modes of production and exposes the dehumanising effects of computer technology. Brightly coloured and shiny, the fruit and vegetables depicted by Opie in this series appear almost synthetic, without any signs of irregularity or damage. Opie parallels the artificial nature of the items represented with his methods and style of working that defy the presence of the artist’s hand.

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