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Flowers

Find out more about Keith Haring’s Flowers series, browse prints & editions for sale & view the works wanted by active buyers right now.

Buy and sell Keith Haring prints

Keith Haring: Flowers II - Signed Print
Flowers II Signed Print 
Keith Haring

£15,000-£25,000 Guide

AUD25,000-AUD40,000 Guide

CAD20,000-CAD35,000 Guide

CNY120,000-CNY190,000 Guide

15,000-30,000 Guide

HKD130,000-HKD210,000 Guide

¥2,330,000-¥3,890,000 Guide

$15,000-$25,000 Guide

Keith Haring: Flowers I - Signed Print
Flowers I Signed Print 
Keith Haring

£25,000-£30,000 Guide

AUD40,000-AUD50,000 Guide

CAD35,000-CAD45,000 Guide

CNY190,000-CNY230,000 Guide

30,000-35,000 Guide

HKD210,000-HKD260,000 Guide

¥3,890,000-¥4,670,000 Guide

$25,000-$35,000 Guide

Keith Haring: Flowers III - Signed Print
Flowers III Signed Print 
Keith Haring

£15,000-£25,000 Guide

AUD25,000-AUD40,000 Guide

CAD20,000-CAD35,000 Guide

CNY120,000-CNY190,000 Guide

15,000-30,000 Guide

HKD130,000-HKD210,000 Guide

¥2,330,000-¥3,890,000 Guide

$15,000-$25,000 Guide

Keith Haring: Flowers V - Signed Print
Flowers V Signed Print 
Keith Haring

£15,000-£25,000 Guide

AUD25,000-AUD40,000 Guide

CAD20,000-CAD35,000 Guide

CNY120,000-CNY190,000 Guide

15,000-30,000 Guide

HKD130,000-HKD210,000 Guide

¥2,330,000-¥3,890,000 Guide

$15,000-$25,000 Guide

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Critical Review

Completed only months before his tragic death in 1990, Haring’s Flowers series is a vibrant set of prints rendered in his distinct pop-graffiti style Across the five prints Haring depicts a variety of fluid, phallic shapes to represent plant forms and growth but with a visceral, painterly quality that is not always present in his work.

The visceral style that characterises the Flowers series is heavily inspired by figures like Jackson Pollock and Willem de Kooning from the Abstract Expressionist movement of the 1940s and 50s. The screen print ink has been allowed to drip down the image, forming thin, brightly coloured streaks and splatters that stand out against the bold, dark outlines. The influence of Haring’s good friend Jean-Michel Basquiat also comes through in this series. Haring uses his distinct graffiti style to create a truly public art, just as Basquiat had done before him, that merges high art with popular culture.

The latter part of Haring’s career was characterised by the HIV/AIDS epidemic that devastated the gay community in 1980s New York and deeply affected Haring following his own AIDS diagnosis in 1988. The expressionist quality of his Flowers series is representative of the way in which Haring worked rapidly to produce as much artwork as possible in the last years of his life. Indeed, artist Karey Maurice when looking back on his intimate friendship with Haring once said that “he showed me through sickness you still have to work and produce and give to the world what you intended to do.” Not only does the artist’s use of fluid line and gestural marks convey a sense of urgency in this series but it also works to express Haring’s bodily suffering felt from the effects of the virus.