$21,000-$30,000 Value Indicator
$19,000-$27,000 Value Indicator
¥100,000-¥150,000 Value Indicator
€13,000-€19,000 Value Indicator
$110,000-$160,000 Value Indicator
¥2,050,000-¥2,980,000 Value Indicator
$14,000-$20,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
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Signed Print Edition of 100
H 28cm x W 46cm
The value of Roy Lichtenstein's Landscape 4 is estimated to be worth between £11,000 to £16,000. This striking screen print from 1967 has been sold in various countries including the United Kingdom, United States, and Germany. The artwork has seen a total of 4 sales since it first appeared at auction on 27th September 2016. The hammer price has ranged from £3,922 in May 2019 to £8,929 in September 2019. The average return to the seller is £5,462, demonstrating a robust increase in value with an impressive average annual growth rate of 25%. Please note, there were no sales in the last 12 months. This signed artwork is part of a limited edition, with only 100 pieces in existence.
|Auction Date||Auction House||Artwork|
Return to Seller
|September 2019||Christie's London - United Kingdom||Landscape 4 - Signed Print|
|May 2019||Bonhams New York - United States||Landscape 4 - Signed Print|
|June 2018||Galerie Kornfeld - Germany||Landscape 4 - Signed Print|
|September 2016||Christie's New York - United States||Landscape 4 - Signed Print|
Roy Lichtenstein's artistic practice has always been fuelled by a simultaneous yearning for innovation and retrospection. Shortly after establishing himself as a trailblazer of Pop Art, the artist turned his attention to the conventions of landscape painting. Lichtenstein worked on his Landscapes, Moonscapes and Seascapes for over three decades. As part of this extensive project, he completed several autonomous portfolios.
Ten Landscapes was created in 1967 and presents a grouping of fictitious nature scenes. The ten-part suite transforms traditional landscapes into striking superimpositions of flat colour fields and calculated shapes. Landscape 4, for instance, utilises a distinct pop aesthetic in its representation of a sunrise. Lichtenstein composes his early morning vista out of regularised black stripes and a gradation of dots. He splits his vignette-style composition in the middle using a defined horizon line.
The resulting illustration is highly graphic, planned and executed with the help of preparatory drawings and an opaque layer of prismatic Rowlux sheets. The print scales its landscape back to its most essential pictorial elements. It is evident that Landscape 4 revises the formal qualities of the landscape genre by the means of commercial printing methods. Its unmodulated colours, limited forms and synthetic materials all signify the tone and texture of mass-produced imagery.