Flowers (F. & S. II.119)
Flowers (F. & S. II.119)
Signed Print
Andy Warhol
£7,500-£11,000
$16,000-$23,000 Value Indicator
$14,000-$20,000 Value Indicator
¥70,000-¥100,000 Value Indicator
€9,000-€13,000 Value Indicator
$80,000-$110,000 Value Indicator
¥1,470,000-¥2,150,000 Value Indicator
$10,000-$14,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1974
Size: H 102cm x W 69cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2025 | Sotheby's New York | United States | |||
| November 2022 | Rosebery's Fine Art Auctioneers | United Kingdom | |||
| October 2022 | Phillips New York | United States | |||
| July 2021 | Doyle Auctioneers & Appraisers | United States | |||
| May 2021 | Uppsala Auktionskammare | Sweden | |||
| December 2020 | Sotheby's New York | United States | |||
| November 2020 | Uppsala Auktionskammare | Sweden |
Meaning & Analysis
Taken from Andy Warhol’s Flowers (Hand-Coloured) series from 1974, Flowers (F. & S. II.119) is one of the artists more unusual prints in its delicate, hand-drawn style. Using wallpaper samples and the book Interpretative Flower Designs by Mrs Raymond Rus Stolz as his source material, Warhol used an opaque projector to copy from these images and create the series. Every print in the series is unique in that they were each coloured by a studio assistant with Dr. Martin’s aniline watercolour dyes.
By combining his use of traditional screen printing with the technique of hand-dying and crayon-like lines, Warhol amalgamates the concept of the mass-produced with the originality of a hand-rendered piece. Flowers (F. & S. II.119) shows a line drawing of a vase and flowers against a plain backdrop, with added colour in muted yellow tones.
Warhol continuously returned to the subject of flowers in his career, reinterpreting the traditional art historical genre in a multitude of ways. This particular rendering is reminiscent of 19th century Japanese woodblock prints and accentuates Warhol’s unrivalled skill in the simplification of form. The resulting image is illustrative in style with a clear focus on composition, colour and line, noted for its organic form.
