£7,500-£11,500
$14,500-$23,000 Value Indicator
$13,500-$21,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€9,000-€14,000 Value Indicator
$80,000-$120,000 Value Indicator
¥1,480,000-¥2,270,000 Value Indicator
$9,500-$15,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 250
Year: 1974
Size: H 102cm x W 69cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
November 2022 | Rosebery's Fine Art Auctioneers - United Kingdom | Flowers (F. & S. II.119) - Signed Print | |||
October 2022 | Phillips New York - United States | Flowers (F. & S. II.119) - Signed Print | |||
July 2021 | Doyle Auctioneers & Appraisers - United States | Flowers (F. & S. II.119) - Signed Print | |||
May 2021 | Uppsala Auktionskammare - Sweden | Flowers (F. & S. II.119) - Signed Print | |||
December 2020 | Sotheby's New York - United States | Flowers (F. & S. II.119) - Signed Print | |||
November 2020 | Uppsala Auktionskammare - Sweden | Flowers (F. & S. II.119) - Signed Print | |||
July 2020 | Ketterer Kunst Hamburg - Germany | Flowers (F. & S. II.119) - Signed Print |
Taken from Andy Warhol’s Flowers (Hand-Coloured) series from 1974, Flowers (F. & S. II.119) is one of the artists more unusual prints in its delicate, hand-drawn style. Using wallpaper samples and the book Interpretative Flower Designs by Mrs Raymond Rus Stolz as his source material, Warhol used an opaque projector to copy from these images and create the series. Every print in the series is unique in that they were each coloured by a studio assistant with Dr. Martin’s aniline watercolour dyes.
By combining his use of traditional screen printing with the technique of hand-dying and crayon-like lines, Warhol amalgamates the concept of the mass-produced with the originality of a hand-rendered piece. Flowers (F. & S. II.119) shows a line drawing of a vase and flowers against a plain backdrop, with added colour in muted yellow tones.
Warhol continuously returned to the subject of flowers in his career, reinterpreting the traditional art historical genre in a multitude of ways. This particular rendering is reminiscent of 19th century Japanese woodblock prints and accentuates Warhol’s unrivalled skill in the simplification of form. The resulting image is illustrative in style with a clear focus on composition, colour and line, noted for its organic form.