Name: The Souls On Jacob’s Ladder 2
Brand: Damien Hirst
Rating: 5 (233 reviews)

Track auction value trend

Damien Hirst's The Souls On Jacob’s Ladder 2, an intaglio print from 2007, is currently valued at £7,000 to £10,500. This artwork, part of a limited edition of 72, has shown consistent value growth since its first sale in September 2009. The hammer price in the last 12 months was £7,500, with a total of 3 sales. The average annual growth rate of this work is -5%. This piece is a rare find and has the potential to be a valuable addition to any collection.

Auction Date

Auction House

Location

Hammer Price

Return to Seller

Buyer Paid

September 2024

Christie's London

United Kingdom

June 2011

Koller Zurich

Switzerland

September 2009

Sotheby's London

United Kingdom

Meaning & Analysis

The Souls On Jacob’s Ladder 2 is an intaglio print from Damien Hirst’s The Souls On Jacob’s Ladder Take Their Flight series from 2007. The print features a single butterfly depicted in green, red and brown and in exquisite, photographic detail. The butterfly sits in the centre of the square composition and set against a plain black backdrop.

Harking back to the work of Pop artist Andy Warhol, Hirst creates a series of six prints with the same subject and composition, each showing a different species of butterfly in varying colour combinations making each print unique. Rendering the fine detail of the butterfly wings and setting this against the dark backdrop, Hirst combines these elements to produce an image that finds universally engaging triggers. This contrast between the flat background and the realistic image of the insect plays with Hirst’s concern with facts and truth that images are assumed to depict.

The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.