Contemporary Print Market Report

Abstractions

Many of these works date from the ’90s when the artist was exploring more abstract compositions in bright, often clashing, colours. Works such as Eine and Tres show the influence of the modernist style on Hockney’s work, recalling Cubist painting with its mixed perspectives and dynamic composition.

Buy and sell David Hockney prints

1 - Signed Print by David Hockney 1991 - MyArtBroker
1 Signed Print 
David Hockney

£10,000-£25,000 VALUE (EST.)

AUD20,000-AUD45,000 VALUE (EST.)

CAD15,000-CAD40,000 VALUE (EST.)

CNY80,000-CNY210,000 VALUE (EST.)

10,000-30,000 VALUE (EST.)

HKD90,000-HKD230,000 VALUE (EST.)

¥1,660,000-¥4,150,000 VALUE (EST.)

$10,000-$30,000 VALUE (EST.)

Untitled For Joel Wachs - Signed Print by David Hockney 1993 - MyArtBroker
Untitled For Joel Wachs Signed Print 
David Hockney

£10,000-£15,000 VALUE (EST.)

AUD15,000-AUD25,000 VALUE (EST.)

CAD15,000-CAD20,000 VALUE (EST.)

CNY80,000-CNY120,000 VALUE (EST.)

10,000-15,000 VALUE (EST.)

HKD90,000-HKD130,000 VALUE (EST.)

¥1,560,000-¥2,330,000 VALUE (EST.)

$10,000-$15,000 VALUE (EST.)

White Lines Dancing In Printing Ink - Signed Print by David Hockney 1990 - MyArtBroker
White Lines Dancing In Printing Ink Signed Print 
David Hockney

£6,000-£15,000 VALUE (EST.)

AUD10,000-AUD25,000 VALUE (EST.)

CAD10,000-CAD25,000 VALUE (EST.)

CNY50,000-CNY130,000 VALUE (EST.)

7,000-15,000 VALUE (EST.)

HKD60,000-HKD140,000 VALUE (EST.)

¥1,000,000-¥2,490,000 VALUE (EST.)

$7,000-$20,000 VALUE (EST.)

Twelve Fifteen - Signed Print by David Hockney 1991 - MyArtBroker
Twelve Fifteen Signed Print 
David Hockney

£15,000-£20,000 VALUE (EST.)

AUD25,000-AUD35,000 VALUE (EST.)

CAD25,000-CAD30,000 VALUE (EST.)

CNY130,000-CNY170,000 VALUE (EST.)

15,000-25,000 VALUE (EST.)

HKD140,000-HKD190,000 VALUE (EST.)

¥2,490,000-¥3,320,000 VALUE (EST.)

$20,000-$25,000 VALUE (EST.)

Diptychon - Signed Print by David Hockney 1989 - MyArtBroker
Diptychon Signed Print 
David Hockney

£6,000-£9,000 VALUE (EST.)

AUD10,000-AUD15,000 VALUE (EST.)

CAD10,000-CAD15,000 VALUE (EST.)

CNY50,000-CNY80,000 VALUE (EST.)

7,000-10,000 VALUE (EST.)

HKD60,000-HKD80,000 VALUE (EST.)

¥1,000,000-¥1,490,000 VALUE (EST.)

$7,000-$10,000 VALUE (EST.)

Extending February (diptych) - Signed Print by David Hockney 1990 - MyArtBroker
Extending February (diptych) Signed Print 
David Hockney

£15,000-£20,000 VALUE (EST.)

AUD25,000-AUD35,000 VALUE (EST.)

CAD25,000-CAD30,000 VALUE (EST.)

CNY130,000-CNY170,000 VALUE (EST.)

15,000-25,000 VALUE (EST.)

HKD140,000-HKD190,000 VALUE (EST.)

¥2,490,000-¥3,320,000 VALUE (EST.)

$20,000-$25,000 VALUE (EST.)

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Meaning & Analysis

A lesser known aspect of Hockney’s oeuvre, his Abstractions are a series of prints that explore the compositions of bright, often clashing colours. Many of these works date from the ’90s when the artist was exploring more abstract compositions in bright, often clashing, colours. This style can also be found in the series entitledSome New Prints which originated from his Some Very New Paintings series of 1992. Here his colourful compositions recall those of modernists such as Sonia Delaunay as well as his contemporary Howard Hodgkin. The works in this series are often compared to the sets he made for operas and the artist himself has confirmed the link, stating, “I started the group called Some Very New Paintings in 1992 after I had finished my set designs for Die Frau Ohne Schatten. These started simply and grew more and more complex. I soon realized that what I was doing was making internal landscapes, using different marks and textures to create space, so that the viewer wanders around.”

We see those internal landscapes in full swing in his Snails Pace series which were born from an installation he made for the Smithsonian Art Museum. After multiple commissions to design sets and costumes for both the opera and theatre Hockney put this experience to use to create a visual experience that recalled these productions but was devoid of sound, reflecting the artist’s own recent loss of hearing. Made of two painted boards, one placed on the wall and one on the floor, Hockney created an immersive experience, complete with three dimensional objects that can be seen in photographs such as First Detail, Snails Pace, March 27th 1995 and Fifth Detail, Snails Pace, March 27th 1995. The set is an almost psychedelic rendering of landscape, with natural forms exaggerated and reimagined to create a fantastical and disorientating experience that was heightened by an accompanying light show.