Modern Art II
Modern Art II
Signed Print
Roy Lichtenstein
£45,000-£60,000 VALUE (EST.)
$90,000-$110,000 VALUE (EST.)
$70,000-$100,000 VALUE (EST.)
¥400,000-¥530,000 VALUE (EST.)
€50,000-€70,000 VALUE (EST.)
$430,000-$570,000 VALUE (EST.)
¥8,150,000-¥10,870,000 VALUE (EST.)
$50,000-$70,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Screenprint, 1996
Signed Print Edition of 50
H 103cm x W 79cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2015 | Sotheby's New York - United States | Modern Art II - Signed Print | |||
| September 2012 | Christie's London - United Kingdom | Modern Art II - Signed Print |
Meaning & Analysis
Roy Lichtenstein’s Modern Art II manifests a clever printed montage of the most recent creative trends defining modern art. Published in 1996, alongside another work entitled Modern Art I, the print was executed by the artist merely a year before his death in 1997. In his usual sardonic manner, Lichtenstein’s Modern Art prints concoct a parody of art history.
Modern Art II assembles iconic styles abstracted from different artistic movements and modern masters in particular. The print therefore reduces its source materials to essential aesthetic parts, examining the deconstructed features one by one. Lichtenstein then fuses these parts into assorted arrangements of lines, geometric shapes and figurative elements.
In the artist’s hands the condensed characteristics of the modernists are transformed into slick contemporary cartoons. Using his Benday dots, blocks of colour and stark black outlines, Lichtenstein allows the subject matter to take on a story of its own.
At last, Modern Art II exhibits a multifaceted composition containing traces of Cubism and Constructivism. However, contrary to Modern Art I, Modern Art II relies heaviest on Surrealism. The illustrative elements are here exchanged for bizarre colourful abstractions alluding to facial components and the like.
