5 Year Print Market Review 2023
Repeated Design - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Repeated Design
Signed Print

Roy Lichtenstein

£6,000-£8,500 VALUE (EST.)

$11,000-$16,000 VALUE (EST.)

$10,000-$14,500 VALUE (EST.)

¥50,000-¥70,000 VALUE (EST.)

7,000-9,500 VALUE (EST.)

$60,000-$80,000 VALUE (EST.)

¥970,000-¥1,370,000 VALUE (EST.)

$7,500-$10,500 VALUE (EST.)

11% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Lithograph, 1969
Signed Print Edition of 100
H 30cm x W 91cm

Toni Clayton

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Toni Clayton, American Pop & Modern Specialist

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomRepeated Design - Signed Print
October 2019Freeman's - United StatesRepeated Design - Signed Print
May 2018Wright - United StatesRepeated Design - Signed Print
October 2017Christie's New York - United StatesRepeated Design - Signed Print
June 2017Bonhams New York - United StatesRepeated Design - Signed Print
March 2016Christie's New York - United StatesRepeated Design - Signed Print
October 2010Sotheby's New York - United StatesRepeated Design - Signed Print

Meaning & Analysis

The print’s colour palette is in line with Lichtenstein’s favoritism of unmodulated pigments, as he situates slick black and white forms on a brilliant yellow backdrop. Seeking to actively obliterate painterly gestures, the perfected shapes are connected through a smooth superimposition of colours and patterns. Lichtenstein’s use of Ben Day dots adds shadowing and texture to the sharp angles and curved edges portrayed. Dotted grey triangles and rectangles are merged across the surface of this print, assembled into a repetitive and intense composition.

Repeated Design’s busy picture plane balances firm lines against scattered dots. As a result, the work ultimately captures an interplay between dynamic versus static elements. The print draws first and foremost on the fundamentals of Cubism and Constructivism. Blazing a trail for Lichtenstein’s later Modern Head series, the work is also a fusion of visuals abstracted from commercial design. More specifically, the composition blends forms borrowed from the streamlined art deco style of the 1930s.

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