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Shipboard Girl - Signed Print by Roy Lichtenstein 1965 - MyArtBroker

Shipboard Girl
Signed Print

Roy Lichtenstein

£16,000-£24,000Value
Indicator

$30,000-$45,000 Value Indicator

$27,000-$40,000 Value Indicator

¥140,000-¥220,000 Value Indicator

19,000-28,000 Value Indicator

$160,000-$240,000 Value Indicator

¥2,970,000-¥4,460,000 Value Indicator

$20,000-$30,000 Value Indicator

-1% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1965
Signed Print
H 66cm x W 49cm

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3 in network
4 want this
Rebecca Marsham
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomShipboard Girl - Signed Print
Sotheby's London - United KingdomShipboard Girl - Signed Print
November 2023Christie's New York - United StatesShipboard Girl - Signed Print
October 2023Phillips New York - United StatesShipboard Girl - Signed Print
June 2023Swann Auction Galleries - United StatesShipboard Girl - Signed Print
April 2023Doyle New York - United StatesShipboard Girl - Signed Print
April 2023Sotheby's New York - United StatesShipboard Girl - Signed Print

Meaning & Analysis

Akin to Girl In Mirror and Crying Girl of 1964, Shipboard Girl’s compositionis rendered up close. Lichtenstein isolates his female figure, a blissful blonde woman, presenting her in the context of an incomplete narrative. The scene is infused with underlying tension and only small details, like the life-preserver in the backdrop, hint at the woman’s circumstances. This particular manner of cropped storytelling persisted throughout Lichtenstein's career, peaking in his renowned Nudes of the 1990s.

In Shipboard Girl,Lichtenstein experiments with the fundamentals of the pointillist technique. The work’s abundant coloured Ben Day dots are retained inside defined outlines forming the heroine’s face, the ocean, and the sky. Lichtenstein makes use of bold and primary pigments, utilising vivid yellow for the hair, bright red for the lips, and harsh black for contouring. The calculated pattern signifies tone and texture in an otherwise flat picture plane. In the end, Lichtenstein relies on the viewer’s optical instincts to distinguish his painterly touch amidst the perfected mechanical finishes.

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