Shipboard Girl
Shipboard Girl
Signed Print
Roy Lichtenstein
£45,000-£70,000 VALUE (EST.)
$80,000-$130,000 VALUE (EST.)
$80,000-$120,000 VALUE (EST.)
¥400,000-¥620,000 VALUE (EST.)
€50,000-€80,000 VALUE (EST.)
$440,000-$680,000 VALUE (EST.)
¥7,850,000-¥12,210,000 VALUE (EST.)
$60,000-$90,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Lithograph, 1965
Signed Print
H 66cm x W 49cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's London - United Kingdom | Shipboard Girl - Signed Print | ||||
| Sotheby's London - United Kingdom | Shipboard Girl - Signed Print | ||||
| February 2023 | Thomaston Place Auction Galleries - United States | Shipboard Girl - Signed Print | |||
| December 2022 | Dorotheum, Vienna - Austria | Shipboard Girl - Signed Print | |||
| November 2022 | Christie's New York - United States | Shipboard Girl - Signed Print | |||
| November 2022 | Clars Auction Gallery - United States | Shipboard Girl - Signed Print | |||
| November 2022 | Bonhams New York - United States | Shipboard Girl - Signed Print |
Meaning & Analysis
Shipboard Girl of 1965 is one of Roy Lichtenstein’s earliest and most iconic portraits featuring his notorious cartoon heroines. Presented as a single-panel cartoon illustration, the work’s primary purpose is to revise glamorised representations of female identity.
Akin to Girl In Mirror and Crying Girl of 1964, Shipboard Girl’s compositionis rendered up close. Lichtenstein isolates his female figure, a blissful blonde woman, presenting her in the context of an incomplete narrative. The scene is infused with underlying tension and only small details, like the life-preserver in the backdrop, hint at the woman’s circumstances. This particular manner of cropped storytelling persisted throughout Lichtenstein's career, peaking in his renowned Nudes of the 1990s.
In Shipboard Girl,Lichtenstein experiments with the fundamentals of the pointillist technique. The work’s abundant coloured Ben Day dots are retained inside defined outlines forming the heroine’s face, the ocean, and the sky. Lichtenstein makes use of bold and primary pigments, utilising vivid yellow for the hair, bright red for the lips, and harsh black for contouring. The calculated pattern signifies tone and texture in an otherwise flat picture plane. In the end, Lichtenstein relies on the viewer’s optical instincts to distinguish his painterly touch amidst the perfected mechanical finishes.
