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Entablature IV - Signed Print by Roy Lichtenstein 1976 - MyArtBroker

Entablature IV
Signed Print

Roy Lichtenstein

£6,000-£9,000Value
Indicator

$11,500-$17,000 Value Indicator

$10,500-$15,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,120,000-¥1,680,000 Value Indicator

$7,500-$11,500 Value Indicator

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Planographic print

Format: Signed Print

Year: 1976

Size: H 52cm x W 97cm

Edition size: 30

Signed: Yes

Rebecca Marsham
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Track auction value trend

Roy Lichtenstein's "Entablature IV" is a signed planographic print from 1976 with an estimated value between £6,000 and £9,000. In the last 12 months, the average return to sellers has been £5,724 from a total sales volume of 3. Over the last five-year period, the hammer price has ranged from £4,456 in April 2023 to £7,419 in June 2023. This artwork has been sold 4 times at auction since its initial sale in July 2012, and it has been purchased in both Germany and the United States. With an average annual growth rate of 6%, "Entablature IV" is a dynamic piece in the art market. This print is part of a limited edition of 30, making it a rare and valuable addition to any collection.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Karl & Faber - GermanyEntablature IV - Signed Print
April 2023Sotheby's New York - United StatesEntablature IV - Signed Print
March 2023Sotheby's New York - United StatesEntablature IV - Signed Print
July 2012Christie's New York - United StatesEntablature IV - Signed Print

Meaning & Analysis

Roy Lichtenstein first began examining the architectural facades of New York City in 1971. He took special interest in the horizontal structures that were placed atop columns, commonly referred to as entablatures. Over the course of 5 years, the artist produced two series of paintings centered around this ornamental feature. His series of Entablature prints were completed in 1976 and consist of eleven works on off-white Rives wove paper.

The series represents distinctly industrialised architectural imitations, built in abundance all over America in the early 20th century. Each print isolates particular architectural motifs encountered around Lower Manhattan. The artist considers the features as coded symbols of imperial power, imprinted on the facades of the very buildings people call their homes and workplaces.

Typically associated with comic book style portrayals of commercial culture, the Entablature series illustrates Lichtenstein’s skilful appropriation of more monumental elements of design.

Once again, the artist traces the effects of mass production and replication, only on a larger cultural scale this time. Additionally, Lichtenstein’s Entablatures spotlight historical conventions governing architectural and art historical creation, like the eminence of the Classical order and the doctrine of Minimalism.

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