Painting On A Blue And Yellow Wall
Painting On A Blue And Yellow Wall
Signed Print
Roy Lichtenstein
£20,000-£30,000
$40,000-$60,000 Value Indicator
$35,000-$60,000 Value Indicator
¥190,000-¥290,000 Value Indicator
€23,000-€35,000 Value Indicator
$210,000-$310,000 Value Indicator
¥3,780,000-¥5,670,000 Value Indicator
$27,000-$40,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Planographic print
Edition size: 60
Year: 1984
Size: H 112cm x W 72cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Christie's London | United Kingdom | |||
| September 2022 | DuMouchelles | United States | |||
| November 2019 | Bonhams New York | United States | |||
| April 2019 | Christie's New York | United States | |||
| April 2010 | Christie's New York | United States | |||
| April 2008 | Christie's New York | United States | |||
| September 2007 | Christie's London | United Kingdom |
Meaning & Analysis
Roy Lichtenstein completed his eight-part multimedia sequence entitled Paintings in 1984. The elaborate prints in this series not only prove his outstanding talent as a print maker, but also demonstrate his innovative conceptual range. Lichtenstein’s Paintings exhibit fictitious picture frames as their central motif.
Similar toPainting In A Gold Frame from the same series, Painting On A Blue And Yellow Wall showcases a small section of an imaginary painting. Its modern silver frame is mounted on a blue and yellow faux-wood wall. Combining hand-painted and machine-made patterns, the portrait reveals expressive pastel sweeps intersected by schematic cartoon strokes. Lichtenstein’s concurrent Seven Apple Woodcuts and subsequent Brushstroke Faces pursue a similar exploration of the painterly gestures of Abstract Expressionism.
Formal contrasts are elaborated seamlessly in Painting On A Blue And Yellow Wall, mainly through the ironic juxtaposition of high and low culture. Furthermore, Lichtenstein’s characteristically graphic and detached forms evoke an additional layer of self-parody. His use of cropping and the vague surface dimensions assert the object quality of his artwork. Ultimately, he presents a print that is an image in itself, as well being the representation of another image. In doing so, Lichtenstein’s artwork undermines ideas of artistic originality.
