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Two Paintings: Sleeping Muse Signed Mixed Media
Roy Lichtenstein: Two Paintings: Sleeping Muse - Signed Mixed Media

Two Paintings: Sleeping Muse

Roy Lichtenstein

Two Paintings: Sleeping Muse - Signed Mixed Media by Roy Lichtenstein 1984 - MyArtBroker

Two Paintings: Sleeping Muse
Signed Mixed Media

Roy Lichtenstein

£19,000-£27,000 VALUE (EST.)

$35,000-$50,000 VALUE (EST.)

$30,000-$45,000 VALUE (EST.)

¥160,000-¥230,000 VALUE (EST.)

€22,000-€30,000 VALUE (EST.)

$180,000-$260,000 VALUE (EST.)

¥3,030,000-¥4,310,000 VALUE (EST.)

$23,000-$35,000 VALUE (EST.)

7% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Mixed Media, 1984
Signed Mixed Media Edition of 60
H 88cm x W 117cm

Toni Clayton

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Toni Clayton, American Pop & Modern Specialist

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomTwo Paintings: Sleeping Muse - Signed Mixed Media
December 2017Bonhams New York - United StatesTwo Paintings: Sleeping Muse - Signed Mixed Media
April 2017Sotheby's New York - United StatesTwo Paintings: Sleeping Muse - Signed Mixed Media
October 2014Sotheby's New York - United StatesTwo Paintings: Sleeping Muse - Signed Mixed Media
November 2007Sotheby's New York - United StatesTwo Paintings: Sleeping Muse - Signed Mixed Media

Meaning & Analysis

Roy Lichtenstein completed his eight-part multimedia sequence entitled Paintings in 1984. The elaborate prints in this series not only prove his outstanding talent as a print maker, but also demonstrate his innovative conceptual range. Lichtenstein’s Paintings exhibit fictitious picture frames as their central motif.

read more about Paintings
Read more about Roy Lichtenstein Prints & Editions

Similar to Two Paintings: Green Lampof the same series, Two Paintings: Sleeping Muse juxtaposes two imaginary portraits mounted on a striped wall. A cubist illustration of a green plant with a sculptural head is depicted on the left. Its disposition recalls Lichtenstein’s Six Still Lifesof the early 1970s. Meanwhile, the frame on the right exhibits expressive grey brushstrokes, intersected by yellow, green and white cartoon sweeps. Lichtenstein explores similar abstract expressionist arrangements in his Seven Apple Woodcuts and subsequent Brushstroke Faces.

The irony of this print is mainly established through the thematic comparison of the painterly gestures and the schematic imagery. It is further enforced by the cropping of forms, which asserts the object quality of the work. Lichtenstein aligns the artistic tradition of autographic mark making with the detached qualities of comic books. He frames both depictions as masterpieces, achieving an added connotation of self-parody. Ultimately, the artist undermines the notion of artistic originality by presenting an image that is also a representation of other images.

read more about Paintings
Read more about Roy Lichtenstein Prints & Editions

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