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Animals

These works by Tracey Emin showcase the human condition imbued in animal forms. Her minimalist illustrations of owls, deers, cats, and rabbits reveal the unique beauty and disarray of life. The contexts presented are elusive, as the artist’s thoughts surface only to disappear, as ephemeral as her delicate sketches.

Tracey Emin prints for sale

Space Monkey - Signed Print by Tracey Emin 2009 - MyArtBroker
Space Monkey 
Tracey EminSigned Print 

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4 in network
2 want this
See How They Grow - Signed Print by Tracey Emin 2010 - MyArtBroker
See How They Grow 
Tracey EminSigned Print 

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3 in network
1 want this
Rabbits Its For Life - Signed Print by Tracey Emin 2020 - MyArtBroker
Rabbits Its For Life 
Tracey EminSigned Print 

£950-£1,400 VALUE (EST.)

$1,800-$2,650 VALUE (EST.)

$1,550-$2,300 VALUE (EST.)

¥8,500-¥12,500 VALUE (EST.)

1,100-1,600 VALUE (EST.)

$9,000-$13,500 VALUE (EST.)

¥170,000-¥250,000 VALUE (EST.)

$1,150-$1,700 VALUE (EST.)

193% AAGR (5YR)

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3 in network
For You - Signed Print by Tracey Emin 2010 - MyArtBroker
For You 
Tracey EminSigned Print 

£2,650-£4,000 VALUE (EST.)

$5,000-$7,500 VALUE (EST.)

$4,400-$6,500 VALUE (EST.)

¥24,000-¥35,000 VALUE (EST.)

3,050-4,600 VALUE (EST.)

$25,000-$40,000 VALUE (EST.)

¥480,000-¥730,000 VALUE (EST.)

$3,250-$4,900 VALUE (EST.)

72% AAGR (5YR)

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3 in network
Little Owl - Signed Print by Tracey Emin 2005 - MyArtBroker
Little Owl 
Tracey EminSigned Print 

£4,200-£6,500 VALUE (EST.)

$8,000-$12,500 VALUE (EST.)

$7,000-$10,500 VALUE (EST.)

¥35,000-¥60,000 VALUE (EST.)

4,800-7,500 VALUE (EST.)

$40,000-$60,000 VALUE (EST.)

¥760,000-¥1,180,000 VALUE (EST.)

$5,000-$8,000 VALUE (EST.)

47% AAGR (5YR)

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2 in network
3 want this
About To Fly - Signed Print by Tracey Emin 2014 - MyArtBroker
About To Fly 
Tracey EminSigned Print 

£3,850-£5,500 VALUE (EST.)

$7,500-$10,500 VALUE (EST.)

$6,500-$9,000 VALUE (EST.)

¥35,000-¥50,000 VALUE (EST.)

4,400-6,500 VALUE (EST.)

$35,000-$50,000 VALUE (EST.)

¥700,000-¥1,000,000 VALUE (EST.)

$4,700-$6,500 VALUE (EST.)

33% AAGR (5YR)

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2 in network
3 want this
Go Forward - Signed Print by Tracey Emin 2013 - MyArtBroker
Go Forward 
Tracey EminSigned Print 

£2,400-£3,600 VALUE (EST.)

$4,550-$7,000 VALUE (EST.)

$3,950-$6,000 VALUE (EST.)

¥21,000-¥30,000 VALUE (EST.)

2,750-4,150 VALUE (EST.)

$23,000-$35,000 VALUE (EST.)

¥440,000-¥650,000 VALUE (EST.)

$2,950-$4,400 VALUE (EST.)

49% AAGR (5YR)

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2 in network
1 want this
Baby Rabbit & Squirrel - Signed Print by Tracey Emin 2013 - MyArtBroker
Baby Rabbit & Squirrel 
Tracey EminSigned Print 

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1 in network
2 want this
It’s What I’d Like To Be - Signed Print by Tracey Emin 1998 - MyArtBroker
It’s What I’d Like To Be 
Tracey EminSigned Print 

£3,100-£4,700 VALUE (EST.)

$6,000-$9,000 VALUE (EST.)

$5,000-$8,000 VALUE (EST.)

¥28,000-¥40,000 VALUE (EST.)

3,550-5,500 VALUE (EST.)

$30,000-$45,000 VALUE (EST.)

¥560,000-¥850,000 VALUE (EST.)

$3,800-$6,000 VALUE (EST.)

2% AAGR (5YR)

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1 in network
1 want this
Dragon Fly - Signed Print by Tracey Emin 2010 - MyArtBroker
Dragon Fly 
Tracey EminSigned Print 

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1 in network
Moth - Signed Print by Tracey Emin 2010 - MyArtBroker
Moth 
Tracey EminSigned Print 

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1 in network
No Substitute For Your Love - Signed Print by Tracey Emin 2003 - MyArtBroker
No Substitute For Your Love 
Tracey EminSigned Print 

£850-£1,300 VALUE (EST.)

$1,600-$2,450 VALUE (EST.)

$1,400-$2,150 VALUE (EST.)

¥7,500-¥11,500 VALUE (EST.)

1,000-1,500 VALUE (EST.)

$8,000-$12,500 VALUE (EST.)

¥150,000-¥240,000 VALUE (EST.)

$1,050-$1,600 VALUE (EST.)

19% AAGR (5YR)

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3 want this
Feeling Safe - Signed Print by Tracey Emin 2012 - MyArtBroker
Feeling Safe 
Tracey EminSigned Print 

£1,650-£2,400 VALUE (EST.)

$3,050-$4,450 VALUE (EST.)

$2,800-$4,050 VALUE (EST.)

¥14,500-¥21,000 VALUE (EST.)

1,900-2,750 VALUE (EST.)

$16,000-$24,000 VALUE (EST.)

¥280,000-¥410,000 VALUE (EST.)

$2,100-$3,050 VALUE (EST.)

26% AAGR (5YR)

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Meaning & Analysis

British artist Tracey Emin was born in Croydon, on the cusp of south London, in 1963. She was raised by her single mother in Margate, on the coast of Kent, along with her twin brother Paul. Young Emin emerged into the thick of the blooming technicolour age of ‘The Swinging Sixties’. This was a period ruled by a youth-driven cultural revolution that emphasised modernity and indulgence.

Emin’s academic career began at Medway College of Design in Kent, where she studied fashion. She then also achieved a Master’s in Painting from the Royal College of Art in London. She has been appointed as Professor of Drawing at the Royal Academy of Arts since 2011.

Over the course of the late 1980s, Emin joined forces with members of the Young British Artists group patroned by gallerist Charles Saatchi. The creative collective worked specifically on adding a previously rare commercialist dimension to artistic practice. Emin first came to the attention of the wider public when she appeared intoxicated among a panel of academics on a television show about the Turner Prize in 1997. Two years later, the artist herself was nominated for the award for her notoriously controversial work, My Bed (1998).

Themes of trauma, such as assault, disorders and abortion, soon came to define Emin’s artworks. Her choice to utilise needlework and appliques placed her creative endeavours within a tradition of feminist discourse about “low art” and “women’s work” early on. In particular, Emin's art influences a generation of female artists who explore womanhood and gender politics through a self-confessional tone.

Drawing lies at the heart of Emin’s outstanding artistry. She is technically accomplished and genuinely interested in the media she professes. She is an expressionist whose jagged contours convey emotion through the tone and texture of a roughly, rapidly scrawled line. Her drawings masterfully capture our anxiety at being human when confronted with the complexities of life.

Emin’s works on paper portray love, humans, and various types of animals, which is the focus of this collection of works. The Animal grouping includes It’s What I’d Like To Be, Little Owl, For You, No Substitute For Your Love, and Rabbits, It’s For Life. These drawn pieces showcase the human condition translated into shapes borrowed from the animal kingdom. The artist here manifests raw sentiments and intellect through what might perhaps be considered the most fragile art form. Her minimalist illustrations of owls, deers, cats, and rabbits are specially designed to reveal both the unique beauty and the disarray of life. The sudden and blunt psychological abyss of these drawn pieces is offset by the shakiness of their execution. The contexts presented are elusive, as the artist’s thoughts surface only to then disappear. Yet, the impression of a perpetually amused person behind each composition remains.

This collection is fierce, devoted and exquisitely constructed. Every character is rooted deeply in Emin’s faith in ideas and her hope in the promise of each new day. There is a rhythm to the sensibilities captured in Animals, as Emin skilfully presents a fragmented and associative network of drawn mementoes.