£6,500-£9,500 VALUE (EST.)
$12,000-$17,000 VALUE (EST.)
$11,000-$16,000 VALUE (EST.)
¥50,000-¥80,000 VALUE (EST.)
€7,500-€11,000 VALUE (EST.)
$60,000-$90,000 VALUE (EST.)
¥1,050,000-¥1,540,000 VALUE (EST.)
$8,000-$11,500 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Signed Print Edition of 125
H 110cm x W 72cm
Own this artwork?
Toni Clayton, American Pop & Modern Specialist
|Auction Date||Auction House||Artwork|
Return to Seller
|November 2021||Palm Beach Modern Auctions - United States||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|October 2021||Wright - United States||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|May 2021||Il Ponte Auction House, Via Pontaccio - Italy||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|November 2020||Forum Auctions London - United Kingdom||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|March 2019||Sotheby's Online - United Kingdom||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|December 2018||FauveParis - France||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
|March 2018||Forum Auctions London - United Kingdom||Ladies And Gentlemen (F. & S. II.130) - Signed Print|
Part of one of Andy Warhol’s largest body of works, the Ladies & Gentlemen series (1975), the screen print Ladies & Gentlemen (F. &. S. II.130) is a portrait of Wilhelmina Ross, a transgender woman and drag performer who featured in 73 of Warhol’s paintings. Taking over 500 Polaroids of his 14 subjects for the series, meant that Warhol could explore the identities of his sitters in an intimate setting. It was widely known that Warhol would sit with the models after a taking their photos to agree on their favourite images.
Given that Warhol was best known for his depictions of world-famous celebrities like Marilyn Monroe, Elvis Presley and Elizabeth Taylor, the anonymity of the subjects in Ladies & Gentlemen makes a departure from his earlier works. Though there has been a renewed interest in the identity of the sitters, most remained unknown until 2014 when their names were published by the Warhol Foundation. Warhol was fascinated by the mechanism of fame, but he was also interested in the way that identity can be performed through images. Working with sitters who were transgender, drag queens, and gender non-conforming afforded him the opportunity to explore the complexities of identity and gender.
Warhol’s portrait of Ross exudes glamour and femininity, showing her wearing a very large hat coloured with pink hues. She looks upwards to the viewer with an open gaze and her lips pronounced. By enlarging these portraits and bringing them into the realm of fine art, Warhol challenges traditional notions of beauty and gender, showing that everyone can be beautiful.