Ingrid Bergman (complete set)
Ingrid Bergman (complete set)
Signed Print
Andy Warhol
97 x 97cm, Edition of 250, Screenprint, 1983
£70,000-£110,000
$130,000-$210,000 Market Value Indicator
$130,000-$210,000 Market Value Indicator
¥630,000-¥980,000 Market Value Indicator
€80,000-€130,000 Market Value Indicator
$740,000-$1,160,000 Market Value Indicator
¥14,820,000-¥23,290,000 Market Value Indicator
$90,000-$150,000 Market Value Indicator
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Meaning & Analysis
Ingrid Bergman (complete set) is a 1983 screenprint series by Andy Warhol comprising three works depicting the Swedish actress: Herself, With Hat, and As A Nun. Each print draws on a distinct source image, applying Warhol's characteristic handling of colour and flat graphic line across three different registers of Bergman's public persona. The complete set is from a signed edition of 250 per print.
Warhol's celebrity portrait series of the early 1980s returned consistently to Hollywood's golden age, finding in its imagery the kind of fixed, endlessly reproduced icon that had animated his work since the 1960s. The Ingrid Bergman set approaches the actress through three distinct aspects of her public image, each print drawing on a different source photograph and a different phase of her career.
With Hat presents Bergman frontally against a blue ground, a wide-brimmed pink hat and yellow hair given the flat, bold treatment Warhol applied to Marilyn and Liz. Herself shifts to a profile view on a teal and beige ground, the image more graphic, the features reduced to decisive line. As A Nun draws on Bergman's role in The Bells of St. Mary's, the wimple framed against a complex ground of black, teal, and orange — a more dramatically coloured print than the other two in the set.
Together the three works function as a triptych, demonstrating Warhol's sustained interest in how the same subject becomes a different image across different angles, costumes, and colour fields. The signed edition of 250 per print keeps the complete set accessible relative to his more restricted runs. Demand for Bergman as a subject has remained steady given her particular standing in Hollywood's postwar canon.
