Name: In A Spin
Brand: Damien Hirst
Rating: 4.9 (224 reviews)

Track auction value trend

The value of Damien Hirst's In A Spin (signed) is estimated to be worth between £1,350 and £2,000. This etching, created in 2002, has shown consistent value growth, with an average annual growth rate of 11%. This work has an auction history of two sales since its entry to the market in September 2012. In the last 12 months, the average selling price was £800, across one total sale. Over the past five years, the hammer price has ranged from £680 in July 2017 to its current value. The edition size of this artwork is limited to 68.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

May 2024

Tate Ward Auctions - United Kingdom

In A Spin - Signed Print

September 2012

Bonhams Knightsbridge - United Kingdom

In A Spin - Signed Print

Meaning & Analysis

In A Spin is an etching by Damien Hirst, produced in 2002. It is signed in the bottom left and titled in the top left. In A Spin depicts, in red and green, a spiral pattern emanating from the centre of the page outwards.

In A Spin is one of several works from Hirst’s wider In A Spin, The Action Of The World Upon Things collection. The collection consists of 37 prints exploring the theme of concentric circles. They are based on his spin paintings of 1995. This etching was produced in a similar way to those paintings. Copper plates were attached to a machine while needles and other sharp tools drew the spiral lines. The concept of The ‘Action of the World on Things’ came from a phrase that Hirst used in 1999. The later part of this series, including this etching explore at once, death and decay, in conjunction with ideas and life.

This etching, presents an uneven concentric pattern in brick red and bright green, and is indicative of Hirst’s interest in abstraction in the 1990s and early 2000s. This etching was produced on a rectangular etching plate. However, it may be compared to other works in the collection. For instance, his 2002 etching Wheel Meet Again suggests that Hirst was particularly interested, at this time, in using rectangular sheets. In both of these etchings the concentric circles extend beyond the border of the sheet.