The Souls III (raven black, prairie copper, cool gold)
The Souls III (raven black, prairie copper, cool gold)
Signed Print
Damien Hirst
£8,000-£12,000
$16,000-$23,000 Value Indicator
$14,500-$22,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€9,500-€14,500 Value Indicator
$80,000-$120,000 Value Indicator
¥1,580,000-¥2,360,000 Value Indicator
$10,500-$16,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Foil Block
Edition size: 15
Year: 2010
Size: H 74cm x W 54cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2020 | Tate Ward Auctions - United Kingdom | The Souls III (raven black, prairie copper, cool gold) - Signed Print |
Meaning & Analysis
The Souls III (raven black, prairie copper, cool gold) is a foil block print from Damien Hirst’s The Souls series from 2010. The print shows a large butterfly with its wings outspread, set against a white backdrop. Depicted in black, copper and gold, the image of the butterfly is rendered with beautiful patterns on its wings, creating a highly aesthetic print.
Hirst is fascinated by religion and his work, like The Souls series, addresses the timeless endless renewing of faith in the face of mortality. The butterfly is used by the artist as a traditional symbol of the soul, and of the soul’s presence on Earth before transmigration to an afterlife. Thus, in the gallery space, The Souls create an all-encompassing effect that surrounds the viewer.
Speaking of the display of The Souls in the gallery space, Hirst has explained: “This comes from an idea to fill the gallery with butterflies, an idea that I’ve had before. When I think of ‘The Souls’ I think of Judgement Day and ‘Jacob’s ladder’. Many souls work better than one, so to hang them…and to use all the available space is great way of doing it theologically.”
