Name: The Souls IV (topaz, silver gloss)
Brand: Damien Hirst
Rating: 4.9 (216 reviews)

The Souls IV (topaz, silver gloss)
Signed Print

Damien Hirst

£7,500-£11,500Value
Indicator

$14,500-$22,000 Value Indicator

$13,000-$20,000 Value Indicator

¥70,000-¥100,000 Value Indicator

€9,000-€13,500 Value Indicator

$70,000-$110,000 Value Indicator

¥1,440,000-¥2,200,000 Value Indicator

$9,500-$14,500 Value Indicator

29% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Track auction value trend

The value of Damien Hirst’s The Souls IV (topaz, silver gloss) is estimated to be worth between £7,500 and £11,500. This signed foil block artwork was created in 2010 and has shown consistent value growth, with an average annual growth rate of 28%. This work has an auction history of one sale on 23rd September 2020. The edition size of this artwork is limited to 15.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

September 2020

Christie's London - United Kingdom

The Souls IV (topaz, silver gloss) - Signed Print

Meaning & Analysis

The Souls IV (topaz, silver gloss) is a print from Damien Hirst’s extensive series, The Souls, from 2010. The print shows a large butterfly with its wings outspread, set against a white backdrop. Depicted in topaz and silver gloss, the image of the butterfly has been rendered flat and simplified into block colours, obscuring the fine detail of the real butterfly wings.

Reminiscent of the work of Pop artist Andy Warhol, Hirst creates a vast series of prints, each with the same subject and composition. There are four species of butterflies depicted across The Souls series, each print showing one, within which there are 80 colour variations, each presented as an edition of 15. Hirst uses a foil block printing technique to give his butterflies a shimmering effect to represent the way their wings would reflect the light.

The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”