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Imperfect (C. 224) - Signed Print by Roy Lichtenstein 1988 - MyArtBroker

Imperfect (C. 224)
Signed Print

Roy Lichtenstein

£40,000-£60,000Value
Indicator

$80,000-$110,000 Value Indicator

$70,000-$100,000 Value Indicator

¥360,000-¥540,000 Value Indicator

45,000-70,000 Value Indicator

$400,000-$600,000 Value Indicator

¥7,450,000-¥11,180,000 Value Indicator

$50,000-$80,000 Value Indicator

34% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Planographic print, 1988
Signed Print Edition of 45
H 161cm x W 226cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
September 2023Christie's London - United KingdomImperfect (C. 224) - Signed Print
October 2022Sotheby's New York - United StatesImperfect (C. 224) - Signed Print
October 2014Phillips New York - United StatesImperfect (C. 224) - Signed Print
October 2008Sotheby's New York - United StatesImperfect (C. 224) - Signed Print

Meaning & Analysis

The Perfect/Imperfect series were executed between the years of 1978 and 1995. These prints are sensational examples of the varied technical and formal strategies Lichtenstein employed throughout his career. What further sets the Perfect/Imperfect series apart is that the subject matter is entirely self-generated. Rather than deriving his shapes from mass-produced images, Lichtenstein bases both series on an original design. Nevertheless, the two sequences represent the subject matter of pure abstraction quite differently. As opposed to his Perfect prints, where the geometrically precise forms enforce boundaries, the Imperfect prints humorously undermine pictorial limitations.

Imperfect (C. 224), finalised in 1988, is primarily composed of controlled and continuous lines. In this work, Lichtenstein presents an interconnected web of flat geometrical areas in light fuchsia and scarlet. The middle of the composition is adorned by stripes and dots, bordered by strict black contours. Certain lines go out beyond the rectangular base of the print, as if they missed the edge somehow, subtly piercing the alabaster backdrop.

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