Ed Ruscha’s Standard Station is one of the defining images of Pop Art. Inspired by a roadside petrol station in Amarillo, Texas, the work transformed an everyday feature of the American landscape into one of the most recognisable images in contemporary printmaking.
American Pop Specialist Jess Bromovsky explores the story behind Standard Station, from its origins in Ruscha’s 1963 artist’s book Twentysix Gasoline Stations to the celebrated 1966 screenprint and the many variations that followed over the next four decades.
Discover how Ruscha used screenprinting, colour, language, and repetition to continually reinvent the same composition. From the dramatic split-fountain gradients of Standard Station to the muted tones of Mocha Standard, the playful absurdity of Cheese Mold Standard With Olive, the conceptual wordplay of Double Standard, and the embossed minimalism of Ghost Station, each iteration reveals a new way of looking at an image that is both ordinary and iconic.